The Galloping MajorAfter a successful day at the races, Major Arthur Hill (Basil Radford) and Harold Temple (the great Hugh Griffith) decide to raise a £300 syndicate to buy a certain racehorse. With excited help from their friends (12 year old Janette Scott, Jimmy Hanley, Rene Ray, Joyce Grenfell, A. E. Matthews) they get the money, but things don’t go so smoothly from there. First, they accidentally buy the wrong horse which proves to have more of an affinity for jumping than racing. They then decide to train it themselves as a jumper under the new name ‘The Galloping Major’. However, on the night before the Grand National, the horse mysteriously disappears. Directed in 1951 by Henry Cornelius and based on an idea by ‘The Eternal Englishman’ Basil Radford, The Galloping Major is a delightfully silly English comic fairy tale that is released here as part of the Romulus Film Catalogue. It features an impressive cast of the era with stalwarts such as Sydney Tafler, Charles Hawtrey, Alfie Bass, Sidney James and Kenneth More as an unlikely film director. Look out too for ‘guest artistes’ jockey Charlie Smirke and camera-hogging commentator Raymond Glendenning, as well as brief uncredited appearances by Thora Hird (Janette Scott’s mother) as a tea stall server, Sam Kydd (inevitably), Arthur Mullard and Leslie Phillips. Henry Cornelius was a gifted South African born director who died aged only 44, having worked with René Clair and made British classics Passport To Pimlico and Genevieve. This rarely seen caper has been newly-restored and released on Blu-Ray, DVD and Digital by Studiocanal as part of its excellent Vintage Classics collection. Extras include an intriguing locations featurette with historian Richard Dacre; Betting On Success – Matthew Sweet on The Galloping Major; and a stills gallery.



Weinberg - The PassengerBorn in Poland in 1919, Mieczyslaw Weinberg had two narrow escapes from German invasions before he emigrated in 1943 to Russia and settled in Moscow, where he lived for the rest of his life. His music was greatly admired by his close friend Dimitry Shostakovich and is among the 20th century’s greatest hidden treasures. Mixing traditional and contemporary forms, Weinberg was inspired by Shostakovich with ethnic influences and a unique sense of form and harmony. He wrote prolifically, including 17 string quartets, more 20 large-scale symphonies, many sonatas for solo stringed instruments and piano, 7 operas and several film-scores. After hovering between fame and unjustified neglect, the wonderful music of this 20th century genius is now being widely rediscovered and recorded, finally receiving the critical praise and attention it deserves. One reviewer described him as ‘the third great Soviet composer, along with Prokofiev and Shostakovich’. Ten years after his death 1996, a concert premiere of his 1968 opera, The Passenger, in Moscow sparked a posthumous revival. ‘I simply cannot stop enthusing about Weinberg’s The Passenger. I’ve heard it three times now, studied the score, and every time I understand more of the beauty and greatness of this music. It is a work of consummate form and style and its subject extremely relevant.’ – Dmitri Shostakovich. Alexander Medvedev’s libretto is based on a Polish radio play and novel by concentration-camp survivor Zofia Posmysz. Set in 1960, it tells the story of Lisa, formerly a guard at Auschwitz and now the wife of a West German diplomat. On an ocean liner bound for Brazil she thinks she recognises in another passenger a woman named Martha, a Polish prisoner under her direct jurisdiction. Through a series of flashbacks across two acts, eight scenes and one epilogue, the audience witnesses the final reckoning between two women as they attempt to escape their pasts.

The Passenger premiered in 2010 at the Bregenz Festival and with this new production by Oper Graz Weinberg’s powerful Holocaust drama continues to gain international recognition. Roland Kluttig conducts the Chor Der Oper Graz, Grazer Philharmoniker and an excellent cast that includes Dshamilja Kaiser (Lisa), Nadja Stefanoff (Marta), Will Hartmann (Walter) and Markus Butter (Tadeusz). This Blu-ray is an opportunity to appreciate perhaps the finest work by one of the finest composers of the 20th Century – a figure of immense significance in the landscape of post-modern classical music. This outstanding production is also available on CD from Capriccio (C5455).



The WitchThis terrifying, enthralling horror has earned plaudits galore from across the globe, including the auspicious Sundance best director prize for Robert Eggers, along with a London Film Festival award and a double win at the Empire Awards. Set in New England in 1630, an English farmer (Ralph Ineson) – upon threat of banishment by the church – leaves his colonial plantation and relocates to a remote plot, surrounded by an ominous forest, with his wife (Kate Dickie) and their children. But deep in the dark woods lurks an unknown evil and strange, unsettling things start to occur. Moodily photographed, The Witch is a dark forboding place where anything might be imagined. Animals turn malevolent, the weather is harsh, crops fail on the unresponsive land, then one of the children disappears and another becomes worryingly sick. Could he be possessed by an evil spirit? With mounting paranoia, suspicion falls on eldest daughter Thomasin and they accuse her of witchcraft… then darkness descends. Young Anya Taylor-Joy, most recently seen in the Netflix miniseries The Queen’s Gambit and as Gina Gray in Peaky Blinders, made her film debut here in a leading role, giving a spellbinding performance as Thomasin. The Witch Limited Edition comes with special features including new interviews with Robert Eggers, Anya Taylor-Joy, Kate Dickie, Ralph Ineson and Harvey Scrimshaw; new and archive commentaries by Robert Eggers as well as film writer and broadcaster Anna Bogutskaya; Brothers (a short film by the director); a BFI London Film Festival Q&A with Robert Eggers, Anya Taylor-Joy, Ralph Ineson and Producer Jay Van Hoy; and more! The set is presented in a rigid slipcase with new artwork by Peter Diamond, a 150-page hardback book featuring brand new essays and collector’s art cards. ‘An atmospheric chiller rooted in the fertile soil of religious zealotry, social isolation and original sin… chilling study of fear and the devils that live within us all.’ – The Observer.



UNIVERSAL TERRORThis highly enjoyable two-disc Blu-ray release in the Eureka Classics series features three horror tales from the vaults of Universal Pictures, all starring the iconic Boris Karloff. In the effective, pulse-pounding crime thriller Night Key, directed by actor Lloyd Corrigan in 1937, Karloff plays the kindly, eccentric inventor of a high-tech security system (cutting edge technology for 1937) who is kidnapped by a gang of burglars and forced to help them commit a series of robberies. Karloff is geat as always and there is fine supprt from Jean Rogers as his daughter, Hobart Cavanaugh as his unlikely partner Petty Louie, the dependable Ward Bond as Fingers, and Alan Baxter as a ruthless mobster. Then, in the lavishly produced The Climax, directed by George Waggner in 1944, Karloff plays a sinister, brooding Opera House physician, Dr Hohner, whose insane jealousy drives him to murder. This was Karloff’s first  film in colour, sumptuously shot on the sets used for Claude Rains’ Phantom Of The Opera the previous year. Pretty student Angela (Susanna Foster) sings like an angel, likeable Turhan Bey is her besotted fiancé, Jane Farrar is the cynical rival soprano Jarmila, and Gale Sondergaard plays Hohner’s perceptive housekeeper. And finally, Karloff stars as a doctor who risks his own life to save the captives of a mad count in The Black Castle, directed by Nathan H. Juran in 1952. Stephen McNally enjoys himself as the one-eyed Count, beautiful Rita Corday plays his wife, and the dashing hero is Richard Greene, famous as Robin Hood in the long-running 1950s TV series. Lon Chaney makes his last appearance in a Universal picture and the excellent cast of this swashbuckling horror also includes John Hoyt and Michael Pate, with Nancy Valentine as sexy Therese Von Wilk. The Black Castle is great fun from it’s scary beginning to a climax that mixes Romeo and Juliet with Edgar Allen Poe.

These are UK debuts on home video for both Night Key and The Climax, and all three films are on Blu-ray for the first time in the UK. Extras include Limited Edition O-card slipcase and collector’s booklet featuring new writing by Karloff expert Stephen Jacobs (author of Boris Karloff: More Than a Monster). There are audio commentary tracks on Night Key and The Climax with Kevin Lyons and Jonathan Rigby, as well as audio commentary track on The Black Castle with author Stephen Jones and author/critic Kim Newman. Plus stills galleries and trailers. Watch the new trailer



PUCCINI - LA BOHEMEAccording to Opera America, La Bohème is the second most frequently performed opera in the United States, just behind another Puccini favourite, Madama Butterfly, and the work has been performed countless times around the world since its premiere in Turin in 1896. The opera tells the story of a group of artistic friends in Paris, particularly the romantic relationship between the poet Rodolfo and grisette Mimi. Like the parallel relationship of Rodolfo’s roommate Marcello and the beautiful Musetta, Mimi and Rodolfo’s love is beset difficulties caused by the depth of their passion, jealousy, fear and poverty. Despite all this, they are united tragically in the opera’s moving climax. This new Blu-ray release features a performance from 2012 by Norwegian National Opera recorded at the Operahuset, where this striking modern production directed by Stefan Herheim created quite a stir. The impressive cast includes Diego Torre as Rodolfo and the luscious-voiced Marita Sølberg, acting and singing beautifully as Mimi. Vasily Ladyuk is the painter Marcello and Jennifer Rowley his sexy, intelligent and independent girlfriend Musetta. Espen Langvik is the lively musician Schaunard, Giovanni Battista Parodi is philosopher Colline, Svein Erik Sagbråten the easily-duped landlord Benoît as well as the put-upon Alcindoro. Eivind Gullberg Jensen conducts the excellent Norwegian National Opera Orchestra, Chorus and lively Children’s Choir. This is a bold, innovative and thought-provoking production that challenges more conventional interpretations of Puccini’s best-loved opera. Extras include interviews with Stefan Herheim, Eivind Gullberg Jensen, Marita Sølberg and Svein Erik Sagbråten. Watch the trailer



The Burning SeaFrom director John Andreas Andersen and produced by the Norwegian-based Fantefilm Fiksjon, the team behind the highly acclaimed The Wave and The Quake, The Burning Sea is a new ocean-set disaster thriller that pursues the company’s trademark tense and gripping take on the environmental disaster genre, and pushing it to a whole new level. In 1969, the Norwegian government announces their discovery of one of the world’s largest oil fields in the neighbouring North Sea, launching a prosperous period of offshore drilling. Fifty years later, the environmental consequences begin to manifest – a crack has opened on the ocean floor, causing a rig to collapse. A team of researchers, including submarine operator Sofia (Kristine Kujath Thorp), rushes in to search for the missing and assess the cause of the damage. But what they discover is that this is just the start of a possible apocalyptic catastrophe. As rigs are evacuated, Sofia’s partner Stian (Henrik Bjelland) becomes trapped in the depths of the sea, leaving Sofia to come to his rescue. With convincing naturalistic performances, a strong script, fine cinematography by Pål Ulvik Rokseth and top rate special effects, this is a nail biting, action-packed thriller with a telling message for our times. Real locations, tense situations create a world where ordinary people face extraordinary and dangerous problems, ending with a fiery climax. Tight and thrilling entertainment. ‘I cannot recall a movie’s ending haunting me this much.’ – FlickFhilosopher. Watch the trailer.



The Discreet Charm of The BourgeoisieLuis Buñuel’s 1972 elegant and prescient satire depicts a group of friends – the Thévenots, the Sénéchals, Madame Thévenot’s younger sister Florence and corrupt Latin American ambassador Don Rafael Acosta – make repeated attempts to dine together, but are constantly frustrated by unexpected events and bizarre interruptions, including a series of cpmplex, disturbing dreams. In their quest of a lavish feast, the dividing-line between reality and dreams becomes unclear for each guest, leading to complete and utter ridicule. Fernando Rey dominates as the cynical ambassador of a small South American country, Miranda, making money by trafficking in drugs. The outstanding cast also includes Paul Frankeur as François Thévenot, the elegant Delphine Seyrig as his unfaithful wife, the delightful and funny Bulle Ogier as hippyish Florence, Jean-Pierre Cassel as Henri Sénéchal, Stéphane Audran as his sex-mad wife, Milena Vukotic as the knowing maid, Ines, and Julien Bertheau as the bishop/gardener. ‘Whoever walked fastest got the close-up, they’d get to the camera first. Everyone went very fast, because all actors love close-ups.’ – Bulle Ogier. This surreal, hilarious and incisive take on the hypocrisy of the upper-class is one of the director’s most successful and iconic films. Praised by critics and audiences alike, The Discreet Charm of the Bourgeoisie received the Academy Award for Best Foreign Language Film and a nomination for Best Original Screenplay (written by Buñuel and Jean-Claude Carrière).

Following a pristine 4K restoration, The Discreet Charm of the Bourgeoisie will be available to own on UHD for the first time, as well as on Blu-Ray, DVD and Digital from June 20. This welcome addition to Studiocanal’s ever-expanding Vintage World Cinema collection comes with brand-new bonus material that includes Analysis of 3 scenes of the film with critic Charles Tesson; Critical analysis by Professor Peter W. Evans; An interview with writer Jean-Claude Carrière; A new trailer (2022 version) and the original trailer.



OUTSIDE THE LAWThis gritty silent crime thriller, filmed at Universal Studios and on location in San Francisco in 1920, is one of the first psychologically driven films of the gangster genre. While under contract at Universal, director Tod Browning crafted a series of melodramas with strong female protagonists, women on the wrong side of the law, who stood defiantly against the men who tried to control them. No actress better personified this tough, glamorous anti-hero than Priscilla Dean, who here plays hard-boiled jewel thief Molly ‘Silky Moll’ Madden. When her father Silent Madden (Ralph Lewis) is framed for murder by Black Mike Sylva, strong-willed Molly partners with safecracker Dapper Bill (the likeable Wheeler Oakman – Dean’s husband at the time) to stage a double-cross of their own. Priscilla Dean is terrific as Molly and Lon Chaney is great as both craggy Black Mike (who really does say ‘you dirty rat!’, unlike James Cagney) and observant, resourceful servant, Ah Wing. There are also memorable performances by E. Alyn Warren as wise old Chinese sage Chang Lo, Stanley Goethals as the persistently endearing That Kid, and uncredited Anna May Wong as a Chinese girl. Double-crossing crooks and the inevitable falling out among thieves climaxes in an exciting and realistic fight sequence that took two weeks to shoot. ‘If a country had none but good rulers for a hundred years, crime might be stamped out and the death penalty abolished.’ – Confucius. Outside the Law was Browning’s second film with Lon Chaney, whose gifts for elaborate makeup and ruthless villainy would flower under his direction, setting the stage for a series of monstrous characterisations that would revolutionise the melodrama and lay the foundations of the American horror film.

This Masters of Cinema Series release from Eureka features a 4K restoration available for the first time on Blu-ray in the UK. The excellent musical score is by Anton Sanko and extras include a video interview with author/critic Kim Newman; An alternate ending from a 16mm print of the film, created in 1926 for a re-release of Outside the Law; Plus a Collector’s Booklet with an essay by Richard Combs. ‘Featuring a good story and great silent-era performances, Outside the Law is a must-see.’ – Watch the new trailer



Agatha Raisin - Series 4Charming Ashley Jensen stars as beloved amateur detective Agatha Raisin in this hit series, solving murder mysteries in a sleepy Cotswolds village while sporting a fabulous wardrobe and dangerously sharp wit. Based on the best-selling novels by M.C. Beaton, the third series of Agatha Raisin aired in June on Sky One and new streaming service AcornTV. Series Four is now available on DVD and digital alongside the Agatha Raisin Complete Series One – Four Box Set from Acorn (AV3673). Glamorous PR-executive Agatha Raisin turned sleuth finds there’s no shortage of mysteries for her  to solve in her picturesque Cotswolds. Resolving not to spend any more time dwelling on her AWOL on-off partner, James, Agatha and her merry band of helpers have more cases to crack including a jam competition that spirals into a sticky mess when a judge is mysteriously murdered. Wilkes (Jason Barnett) hires our favourite formidable PI to keep a lid on things. When James whisks Agatha away on a seaside trip to work on his new book, the last thing she expects is to end up in Snoth-on-Sea and be suspected of murder once again. And in an even more shocking turn of events, she’s called in to investigate when her ex-fiancé’s fiancée is murdered the night before their wedding… This cracking fourth series promises laughs galore and a corking good time, with our favourite charming detective – the inimitable Agatha Raisin. Series Four boasts an A-list line up of British talent including Vincent Regan, Keith Allen, Ace Bhatti, Sophie Ward, Robbie Gee and the great Phil Daniels. Win a fabulous box set of the complete AGATHA RAISIN SERIES ONE – FOUR



VERDI - DON CARLOComposed at the height of Giuseppe Verdi’s musical career, the dark Don Carlo is the composer’s greatest work. Based on a play by Friederich Schiller and set in the 16th century, it describes the cruel world of the victims of authority during the Spanish inquisition. The Spanish infante is in love with his stepmother, while at the same time desired by his father’s lover. Philip II’s throne is itself controlled by the ecclesiastic power: the Great Inquisitor even obtains the sacrifice of his son and of his most loyal friend, Posa. The nature of the crises and conflicts Carlo, the son of the king faces, personal and political, drive the drama with unremitting intensity. Verdi was commissioned by the Paris Opéra to write Don Carlo to a French libretto and the work premiered as a five-act grand opera in 1867 under the title Don Carlos. In 1958 the celebrated director Luchino Visconti was invited by the Royal Opera House, Covent Garden to stage his first opera outside Italy. Visconti’s choice of the Italian-language Don Carlo and the spectacular production was pivotal in establishing this version as a repertoire piece. In 1985 the Royal Opera House again presented this production, with Bernard Haitink memorably directing a superb cast that includes Romanian soprano Ileana Cotrubas at the height of her powers as a singer and actress playing Elisabetta, Argentinian tenor Luis Lima, unequalled in his tortured introspection, in the title role, and the great English bass Robert Lloyd as formidable King Philip. Patricia Parker also stars the ‘trouser role’ as Tebaldo, with Bruna Baglioni as the alluring Princess Eboli, Romayne Grigorova as the Countess of Aremburg, Giorgio Zancanaro as Rodrigo, Marquess of Posa, Joseph Rouleau as the Grand Inquisitor, and John Dobson as Count Lerma. ‘One of The Royal Opera’s finest achievements.’ – The Financial Times.



The Last MetroThe Last Metro (Le Dernier Métro) is late-career masterpiece written and directed by François Truffaut and set in occupied Paris in 1942. The story follows the fortunes of a small theatre in the Montmartre area of Paris which keeps up passive resistance by maintaining its cultural integrity, despite censorship, antisemitism and material shortages, to emerge triumphant at the war’s end. The title evokes two important facts of city life under the Germans: fuel shortages led people to spend their evenings in theatres and other places of entertainment, but the curfew meant they had to catch the last Métro train home. Actress and theatre owner Marion Steiner (the luminous Catherine Deneuve) hides her Jewish, director husband Lucas (German actor Heinz Bennent) to protect him against Nazi persecution (he has officially moved to South America). Lucas is compelled to go on living in the cellar after plans for him to flee the country are put on hold as the Nazi regime tightens its grip on France. Marion releases him each evening while delivering food and prospective ideas for future productions, and they spend time in the empty theatre making love and discussing the current production alongside plans for escape. A young actor, Bernard (the earthily sexy Gérard Depardieu), is hired for a role in the play and is rebuffed by a woman he ties to pick up in the street, who turns out to be the play’s production designer Arlette, a lesbian. The first night is loved by a full house but one of the newspaper reviews next morning is viciously hostile, damning the show as Jewish. The critic is Daxiat, played with slimy conviction by Jean-Louis Richard, who is an anti-semite who hopes to oust Marion and take over her theatre.

Catherine Deneuve is coolly assured as Marion, torn between her love for both Lucas and Bernard. The film also stars Sabine Haudepin, who appeared as La petite Sabine in Jules et Jim, as the cute and charming Nadine. The film celebrates artistic freedom and endeavour and has a suitably ‘coup de theatre’ ending. In 1981, The Last Metro won 10 Césars for best film, director, actor (Depardieu), actress (Deneuve), cinematography, editing, music, production design, sound and writing. It also received Best Foreign Film nominations in the Academy and Golden Globe Awards. Extras with this new 2K restoration in High Definition include an audio commentary by Gérard Depardieu and historian Jean-Pierre Azéma, moderated by Serge Toubiana, in French with subtitles; An alternative audio commentary by Annette Insdorf, academic and author of François Truffaut; Deleted scene (Angels of Mercy, 5 mins); The original theatrical trailer; and a stills gallery. The first pressing will also include an illustrated booklet featuring a new essay by Pasquale Iannone, an article on Truffaut by Catherine Wheatley and a selection of contemporary reviews.



MONTEVERDI - L’ORFEOThe Baroque era produced some of the most vocal ever written by far the most important vocal music and the first operas were composed in early seventeenth century Italy by Cavalieri and Monteverdi. Most operas from this period were based on stories and plays from Greek and Roman mythology, one of the most famous of these being Monteverdi’s Orfeo, first produced for the carnival at Mantua in 1607. Born in Cremona, Monteverdi was in the service of the Duke of Mantua about 1591–1612 and became director of music at St Mark’s Cathedral, Venice, from 1613. He was the first composer to use an orchestra and to show the dramatic possibilities of the operatic form to affect the listener’s emotions. Monteverdi wrote L’Orfeo, only six years after the first example of a drama set wholly to music had been performed in Florence. He brought to the work a revolutionary synthesis of text, staging and musical architectural that virtually defined the future of opera. The opera is based on the Greek myth of Orpheus. From an idyllic opening on his wedding day, tragedy quickly strikes when his beloved Euridice dies from a snake bite. Orpheus’ love travels into the underworld to bring back his love but can only do so if he promises not to look at her before they have left the abyss. If he does, he will lose her for ever. This Blu-ray release features a performance of L’Orfeo given at the historic Teatro La Fenice in Venice – which has seen triumphant premieres of works by Rossini, Donizetti, Verdi and many others – in a critically acclaimed semi-staged production. The conductor is John Eliot Gardiner, who has long been at the forefront of Monteverdi performance and scholarship, and the outstanding soloists include Krystian Adam as the young poet/musician Orfeo and Czech soprano – and harpist – Hana Blažíková as the nymph Euridice, with Lucile Richardot (Messaggera), Francesca Boncompagni (Proserpina), Gianluca Burrato (Caronte, Plutone), Kangmin Justin Kim (Speranza) and Furio Zanasi (Apollo). This is sublime early music at its best.



MY BRILLIANT FRIEND - SERIES 3The award-winning, beloved Neapolitan Novels by Italian author Elena Ferrante tell a riveting tale of love, loss, hardships and the enduring power of female friendship. In Sky Atlantic’s second series of its Italian-language adaptation of ‘My Brilliant Friend: The Story of a New Name’, Elena Greco is a writer whose best friend Lila has disappeared without a trace. Elena begins to write the story of their lives growing up together in a mob-ruled, poverty-stricken neighbourhood of Naples in the 1950s. As children, Elena and Lila’s friendship is put to the test when financial disparities provide them with very different opportunities in life. Lila’s writing genius is stifled after her parents can no longer afford further education and put her to work. Meanwhile, smart Elena flourishes in school, no longer in the shadow of her friend’s brilliance. This second series followed Elena and Lila as adolescents into the Swinging Sixties, where their fierce, complex friendship was forced to endure romantic rivalry and shocking violence. After its run on Sky, the third series of My Brilliant Friend: Those Who Leave and Those Who Stay, is now available on DVD and digital. Set in the 1970s, this latest season finds Lila struggling to hold her life together as a single mother, with an unrelenting job in a factory after leaving her abusive husband. Meanwhile, having spread her wings to study in Pisa, Elena has become a successful author and is welcomed into an affluent and prosperous world. Elena and Lina must navigate a stream of hopes and uncertainties in a rapidly changing world with a seemingly limitless number of possibilities. They drift in and out of one another’s lives as they contend with new challenges – but as ever, remain bound to one another by a ferocious and unbreakable bond, where passions and rivalries flicker beneath the surface.

This compelling and commanding adaptation is an expertly crafted exploration of human connection, the inexplicable bonds that make and break us. Gorgeously photographed, with a great music score, this mesmerising and poignant series is pacily directed, with acting is that impeccable throughout. Margherita Mazzucco gives a thoughtful, subtle performance as Elena and the strikingly beautiful Gaia Girace is sexy, headstrong and sometimes cruel Lila. Extras include three ‘Making Of’ featurettes. Friend’s third season is its best yet … a revelation.’ – Vogue.


THE 400 BLOWS           BFI BFIB1458

THE 400 BLOWSThe highly influential French New Wave cinema (La Nouvelle Vague) emerged in the late 1950s as a reaction against traditional filmmaking and conventions in favour of experimentation and a spirit of iconoclasm. Its protagonists, including Jean-Luc Godard, Alain Resnais, François Truffaut and Claude Chabrol, explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. One of the New Wave’s chief founders was François Truffaut, who as a controversial critic and editor at Cahiers du Cinema magazine became notorious for his brutal, unforgiving reviews of current French films and helped develop the auteur theory of filmmaking, with a particular reverence for Alfred Hitchcock. As a director, screenwriter and producer he would work on over 25 films before his untimely death at the age of only 52. His brilliant directorial debut in 1959, The 400 Blows (Les Quatre Cents Coups) introduces his enduring alter ego, Antoine Doinel (Jean-Pierre Léaud) – a misunderstood 12-year-old, neglected by his parents and mistreated by repressive schoolteachers, who seeks refuge in truancy, petty crime and, above all, cinema. Truffaut’s most autobiographical film (both he and Doinel were only children of loveless marriages) is widely regarded as one of the all-time great coming-of-age movies and was a cinematic landmark that heralded the start of the New Wave movement. From its sweeping opening shots of Paris to Antoine’s final challenging look into the camera, this is a breathtaking masterpiece.

Following its UK theatrical release via BFI Distribution in January, The 400 Blows is now available on Blu-ray presented in HD from a new 4K restoration. Special features a commentary by Robert Lachenay; Audition footage with Jean-Pierre Léaud, Patrick Auffay and Richard Kanayan’s screen tests for Truffaut; Les Mistons (1957): Truffaut develops his distinctive style in this early short; Truffaut, Bazin, Renoir: A Love Story (2022): Film academic Catherine Wheatley’s illustrated presentation, recorded at François Truffaut’s Cinematic and Literary Influences Study Day, BFI Southbank; Images of Paris: documentary gems from the BFI National Archive, including Panorama Around the Eiffel Tower (1900), Metropolitan Railway of Paris (1913), and Lunch on the Eiffel Tower (1914); The original theatrical trailer; The 2022 trailer; and an image gallery. The first pressing has an illustrated booklet with an essay by Ellen Cheshire, a biography of François Truffaut, credits and notes on the special features. Watch the trailer


JULES ET JIM           BFI BFIB1446

JULES ET JIMFrançois Truffaut directed, produced and wrote his entrancing 1962 film, Jules et Jim, based on Henri-Pierre Roché’s semi-autobiographical novel (Truffaut came across the book in the mid-1950s while browsing through secondhand books at a shop along the Seine). Set just before the Great War and spanning three decades, it depicts one of cinema’s most captivating love triangles, between two best friends – the shy Austrian writer Jules (Oskar Werner) and the more extroverted Frenchman Jim (Henri Serre) – who share an interest in the world of the arts and the Bohemian lifestyle. The object of their mutual desire is the enigmatic and alluring Catherine, played by Jeanne Moreau, who bears an uncanny resemblace to an ancient statue they see on an island in the Adriatic Sea. Oscar Werner and Henri Serre are perfect as the understanding friends and Jeanne Moreau is unforgettable as free-spirited, capricious Catherine. Look out too for a Marie Dubois as captivating Thérèse, the girl with the seductive cigarette train trick. The sublime music is by Oscar-winning French composer Georges Delerue and the outstanding cinematography by Raoul Coutard. Romantic, funny, stylish and enduring, this hugely popular film won the 1962 Grand Prix of French film prizes, the Étoile de Cristal, and Jeanne Moreau won that year’s prize for best actress. Empire magazine’s ranked it 46th in itd ‘100 Best Films Of World Cinema’ and the soundtrack by Georges Delerue was named as one of the ‘10 best soundtracks’ by Time magazine in its ‘All Time 100 Movies’.

This hugely popular classic has now been released on Blu-ray in a new 2K restoration. Special features include a François Truffaut panel discussion (film scholars Pasquale Iannone, Marilyn Mallia, Sonali Joshi, Ginette Vincendeau and Catherine Wheatley discuss key themes and influences in Truffaut’s work); The John Player Lecture (1972, François Truffaut discusses his films); Jeanne Moreau in Conversation (1982, talking frankly with Don Allen about her life and career); Screen Epiphanies (actor John Hurt on his first viewing of  Jules et Jim and the lasting impression it has left on him); Trailers; Stills gallery. The First pressing includes an illustrated booklet with essays by Pasquale Iannone and Lillian Crawford; a contemporary review from Monthly Film Bulletin, a biography of Francois Truffaut, credits and notes on the special features.



I AM A CAMERAI Am a Camera is directed by Henry Cornelius from a screenplay by John Collier, based on both the 1945 novel, The Berlin Stories, by Christopher Isherwood and its adaptation for the stage (also called ‘I Am a Camera’). The play was subsequently developed by Fred Ebb and John Kander as the hit musical Cabaret which celebrates its 50th anniversary this year. Set in wild and wanton 1930s Berlin, where a young English writer arrives and takes to sharing a flat with vivacious nightclub singer Sally Bowles. Together they experience the mad swirl of bohemian life and dream of the successes that will be theirs in the future, but as the Swastika becomes an omnipresent symbol throughout the city, and as their Jewish friends begin to fall victim to Nazi persecution, it becomes apparent that there are dark days ahead. Laurence Harvey gives one of his most effective performances as the writer Isherwood and Julie Harris recreates her Tony Award-winning role as Sally Bowles, marking the first onscreen appearance of this unforgettable character. Harris is funny, touching and adorable as the sometimes infuriating Sally (‘My sex appeal is adequate’) and the film’s outstanding supporting cast includes Shelley Winters, Anton Diffring, Patrick McGoohan and Ron Randell. Due to the scandal the play caused on its opening in 1951, the British Board of Film Censors (BBFC) and the Lord Chamberlain’s Office refused to approve any film adaptation unless substantial changes were made. Consequently, most of the play’s dialogue was rewritten to remove all objectionable material and key plot developments were removed. Despite these alterations, the film still received an ‘X’ certificate on release. I Am a Camera has now been re-released on Blu-Ray, DVD and Digital as part of Studiocanal’s excellent ‘Vintage Classics collection’ showcasing iconic British films. Extras include biographer Peter Parker on Christopher Isherwood, Sally Bowles and Jean Ross, the intriguing real person on whom Sally was loosely based. There is also an interview with journalist and film critic Anna Smith, a stills gallery and the trailer.



The Burning SeaFrom director John Andreas Andersen, The Burning Sea is a nail biting, action-packed thriller for our times. In 1969, the Norwegian government announces their discovery of one of the world’s largest oil fields in the neighbouring North Sea, launching a prosperous period of offshore drilling. Fifty years later, the environmental consequences begin to manifest – a crack has opened on the ocean floor, causing a rig to collapse. A team of researchers, including submarine operator Sofia (Kristine Kujath Thorp), rushes in to search for the missing and assess the cause of the damage. But what they discover is that this is just the start of a possible apocalyptic catastrophe. As rigs are evacuated, Sofia’s partner Stian (Henrik Bjelland) becomes trapped in the depths of the sea, leaving Sofia to come to his rescue. Elysian Film Group Distribution are delighted to announce the release of the brand-new ocean set disaster thriller, The Burning Sea, which will be available on digital platforms from 30th May. Starring Kristine Kujath Thorp, Rolf Kristian Larsen, Anders Baasmo, Bjørn Floberg, Anneke von der Lippe, Ane Skumsvoll, Cengiz Al, Nils Elias Olsen, the film was produced by the Norwegian based Fantefilm Fiksjon, the team behind the highly acclaimed The Wave and The Quake. The Burning Sea takes the company’s trademark tense and gripping take on the environmental disaster genre and pushes it to a whole new level. ‘I cannot recall a movie’s ending haunting me this much.’ – FlickFhilosopher. Watch the trailer



EARWIG AND THE WITCHThe acclaimed Studio Ghibli feature film animation, Earwig and the Witch, directed by Goro Miyazaki, will be released on TVOD/EST platforms in the UK on 23rd May – the first time that a film this studio has been made available to UK audiences in this way. Earwig and the Witch is based on the children’s novel of the same name by Diana Wynne Jones and is Studio Ghibli’s first entirely 3DCG animated feature. Produced by Toshio Suzuki with planning from Miyazaki’s father, the legendary Hayao Miyazaki, the film tells the story of a courageous young orphan forced to live with a selfish witch. Growing up in an orphanage in the British countryside, Earwig has no idea that her mother had magical powers. Her life changes dramatically when a strange couple takes her in, and she is forced to live with a selfish witch. As the headstrong young girl sets out to uncover the secrets of her new guardians, she discovers a world of spells and potions, and a mysterious song that may be the key to finding the family she has always wanted. The English language version of the film features the voices of Richard E. Grant, Kacey Musgraves and Dan Stevens, with Taylor Paige Henderson as Earwig. In addition to her debut voice acting role as Earwig’s Mother, six-time Grammy Award winner Kacey Musgraves also performs the English language version of the film’s theme song, ‘Don’t Disturb Me.’ Young readers can also discover the magical story of Earwig and the Witch by Diana Wynne Jones as the book was recently re-printed to tie in with the UK release of the film and is available now in paperback via Harper Collins. ‘Studio Ghibli’s first computer-animated feature boasts bags of charm and one its most endearing heroines.’ – Little White Lies Magazine.



INNOCENTS IN PARISThis light-hearted classic, first released in 1953, features a motley collection of British tourists on a wild and wonderful weekend in Paris, with each character finding that the city welcomes them and changes their lives in different ways. An English diplomat (the great Alastair Sim) is on a working trip to obtain an agreement with his Russian counterpart. Down to earth Royal Marine bandsman (Ronald Shiner) has a night out on the tiles with many adventures, including an effervescent can-can show at the Moulin Rouge. An innocent young woman (quintessentially English Claire Bloom) is wined and dined by a charming older Parisian man (a subtle performance by Claude Dauphin) who gives her a tour of Paris. An eccentric amateur artist (the wonderful Margaret Rutherford) searches out fellow painters on the Left Bank and in the Louvre. Meanwhile, hearty Englishman Jimmy Edwards (‘British and proud of it’) spends the entire weekend in an English-style pub. An endearing. archetypal Scotsman, complete with kilt, (James Copeland) finds love with a sweet young French girl Monique Gerard. There are also notable cameos from the likes of Kenneth Williams, Laurence Harvey, Frank Muir, Peter Jones, Richard Wattis and Christopher Lee. Innocents in Paris is a high-spirited, funny and surprisingly perceptive look at a group travellers and their encounters with abroad at a time when BEA ruled the European skies. Nimbly directed by Gordon Parry, written and produced by Anatole de Grunwald, this cinematic love letter to 1950s Paris nightlife has been newly restored and is now available on Digital, DVD and Blu-ray. Extras include ‘A Weekend To Remember’ (Agnès Poirier discusses the film and its cast) and a Stills Gallery with iImages preserved and supplied by the BFI Archive.



MOZART - COSI FAN TUTTEThe Italian librettist and poet Lorenzo Da Ponte was born in 1749 in Ceneda (now Vittorio Veneto). Originally Jewish, he converted to Catholicism at 14, became a priest and moved to Venice, from where he was banished in 1779 due to various scandals. He eventually settled in Vienna, where Emperor Joseph II named him ‘poet of the imperial theatres’, and wrote the librettos for many operas. The most famous of these were for three of Mozart’s great Opera buffa – The Marriage of Figaro, Don Giovanni and the two acts Così fan tutte – in which Da Ponte’s elegantly witty words and powerful plots perfectly complemented Mozart’s sublime music. Così fan tutte (‘So do they all’ or ‘Women are like that’), premiered in 1790 at the Burgtheater in Vienna, Austria. As the sleeve notes here say, ‘For the first few decades, critical reactions to the opera ranged from out-and-out condemnations of its frivolity, immorality and lack of verisimilitude to the occasional expression of appreciation for its irony and sophisticated subtleties.’ After a few more perfomances in 1790, it was not performed in Vienna again during Mozart’s lifetime and was rarely seen afterwards, and then usually in one of several bowdlerised versions. Since the Second World War, this brilliant opera has gained a firm place in the standard repertoire and is now frequently performed. The plot takes place in the Bay of Naples in the 18th century and uses the theme of ‘fiancée swapping’, which dates back to Boccaccio’s Decameron and Shakespeare’s play Cymbeline. Elements from Shakespeare’s The Merchant of Venice and The Taming of the Shrew are also present.

Convinced of women’s infidelity, Don Alfonso provokes his young friends Ferrando and Guglielmo by impugning the constancy of their fiancées, sisters Dorabella and Fiordiligi. To test his assertions, he proposes that they tell their fiancées they are leaving for war, and then return dressed as Albanian soldiers ready to seduce the lonely women. Fiordiligi and Dorabella seem outraged when their servant Despina introduces to the ‘Albanians’, and at first reject them virtuously before allowing themselves to be seduced by their new suitors, who become disillusioned as they see their mistresses betraying them. Don Alfonso is delighted to have proved his theory but when the deception is revealed, the two couples reunite, with no great illusion about their happiness. This Blu-ray release captures a dynamic interpretation of Mozart’s best loved opera filmed in 1921 at the Teatro del Maggio Musicale Fiorentino, Italy. The comic tale is delightfully retold by an outstanding cast that features Romanian soprano Valentina Nafornita (Fiordiligi), Mattia Olivieri (Guglielmo), Vasilisa Berzhanskaya (Dorabella), Matthew Swensen (Ferrando), Benedetta Torre (charming and funny as the maid Despina) and the acclaimed American baritone Thomas Hampson as cynical Don Alfonso. The Fiorentino Maggio Musicale Chorus and Orchestra are conducted by Zubin Mehta.



THREE MONSTER TALES OF SCI-FI TERRORThis trio of chilling sci-fi tales from the vaults of Universal Pictures, features a number of genre legends including Lionel Atwill, Lon Chaney, Jr. and Grant Williams, best remembered for playing the title role in The Incredible Shrinking Man and for starring in the Hawaiian Eye TV series. A mad scientist (an outstanding performance by Lionel Atwill) transforms a carnival sideshow performer (Lon Chaney, Jr.) into a murderous monster in Man-Made Monster (also known as ‘The Electric Man’), directed by George Waggner in 1941 and smartly photographed by Elwood ‘Woody’ Bredell. In The Monolith Monsters (directed by John Sherwood in 1957), a giant meteor crashes to Earth and the black crystal fragments begin to spread – eerily turning everyone they come into contact with to stone by drawing the water out of their bodies. And finally, fear stalks the seemingly tranquil halls of Dunsfield University in Monster on the Campus (directed by Jack Arnold, 1958) when a palaeontology professor becomes infected with irradiated blood and begins to devolve into a primitive beast. Arthur Franz is the archaeological college professor and the beautiful Joanna Moore (mother of Tatum O’Neial) his fiancee. These films are here released together on Blu-ray in this two-disc set for the first time in the UK as a part of the Eureka Classics range. Special features include new audio commentaries for Man-Made Monster (author Stephen Jones and author/critic Kim Newman), The Monolith Monsters (Kevin Lyons and Jonathan Rigby) and Monster on the Campus (Stephen Jones and Kim Newman. The first print-run of 2000 copies will feature a Limited-Edition O-card slipcase and collector’s booklet with new writing on the films by film scholar Craig Ian Mann. Watch the trailer



DON GIOVANNIDon Giovanni may not be Mozart’s most popular opera but it is certainly one of his most admired. First performed at the National Theatre in Prague in 1787, it combines comedy and tragedy to tell the story of an irresistible and insatiable young womanizer, Don Giovanni, otherwise known as Don Juan. Don Giovanni represents a force of nature without conscience and sense of responsibility. His sole aim in life is to win the female he has just fallen in love with. Therefore, all the people around him become his victims. Not able to own up to his crimes he his destruction becomes inevitable as is dragged down to hell. All the characters are fascinating and the timeless music and sharp-witted libretto contribute equally to this masterpiece. This new Blu-ray release features Kasper Holten’s ingenious and visually striking production for the Royal Opera House Covent Garden, with award-winning design by Es Devlin, that accentuates the beauty and invention of Mozart’s dazzling tragicomedy. The outstanding soloists in this 2019 recording include Erwin Schrott as the incorrigible Don Giovanni, Roberto Tagliavini as Leporello, Myrtò Papatanasiu as Donna Elvira, the superb Malin Byström as Donna Anna and the delightful Louise Alder as Zerlina, with Daniel Behle (Don Ottavio), Petros Magoulas (Commendatore) and Leon Košavic (Masetto). Royal Opera House Orchestra is conducted by Hartmut Haenchen. Extras include Why The Royal Opera love performing Don Giovanni; Preparing to play Don Giovanni with Erwin Schrott; Cast gallery. ‘This is one of the most musically magnificent productions of this work I’ve ever seen.’ – The Independent.



The Silent EnemyThis stirring WW2 thriller was based on the heroic wartime exploits of Lionel ‘Buster’ Crabb, who would famously disappear in mysterious circumstances several years after the end of the war, during a reconnaissance mission for the MI6. Directed by William Fairchild and photographed by Otto Heller, The Silent Enemy was adapted from the book Commander Crabb by Marshall Pugh. A standout cast includes Laurence Harvey, Dawn Addams, Michael Craig, Alec McCowen, Nigel Stock, John Clements and a great performance by the ubiquitous Sidney ‘Sid’ James. In 1941, the Italians have created a new form of warfare – Frogmen – an intrepid band of men who travel astride small torpedo-type vessels, and attach explosive charges to the hulls of enemy ships, below their waterline. The young Naval Lieutenant, ‘Buster’ Crabb (Harvey), an expert in mine and bomb disposal, is sent to Gibraltar to try and combat this new threat. Never having dived before, he sets to work to master the technique of underwater operations, and soon he and his team are able to locate many of the frogmen’s charges and render them harmless. But with an invasion of North Africa imminent, time is not on the allies’ side. Notable for its remarkable and pioneering underwater action sequences as well as being credited as inspiration for Ian Fleming to write Thunderball. Made in 1958, The Silent Enemy now looks better than ever in this newly-restored version available in Studiocanal’s Vintage Classics series on Blu-Ray, DVD and Digital. Bonus content includes The Real Commander Crabb (an interview with author Tim Binding); Commander Crabb Mystery (1956, British Pathé); and a Behind the Scenes stills gallery.



The Gift HorseStudiocanal’s Vintage Classics Collection showcases some of Britain’s most iconic films, fully restored and featuring brand new extra content. The Gift Horse was originally released in 1952 and pays tribute to a British raid carried out 80 years ago during the Second World War called ‘Operation Chariot’. Also known as ‘Glory at Sea’, it was directed by Compton Bennett and the starry cast includes Trevor Howard, Richard Attenborough, Sid James, Robin Bailey, American Sonny Tufts, Bernard Lee and Dora Bryan. In 1940, the Royal Navy is frantically recruiting for the war effort so pulls Lieutenant Commander Fraser (a wonderful, gritty performance by Howard) out of retirement to captain the HMS Ballantrae, herself recently re-commissioned and lent by the Americans to a seriously under-resourced British Navy. Despite an inauspicious start and multiple repairs on the near-derelict vessel, Fraser crafts the ship and its crew into an efficient fighting force, culminating in a daring mission to destroy a French dockyard which is crucial to the Nazis in maintaining their formidable battleships. The climax of the film is a fictional account of the real-life St Nazaire Raid of 1942 (AKA Operation Chariot) led by a ship very similar to the Gift Horse itself, and celebrated as .The Greatest Raid of All’. Now available on Digital, Blu-Ray and DVD, this memorable classic comes with extras that include Operation Chariot and HMS Campbeltown (James Dorrian remembers the real Gift Horse); The ceremony commemorating 5 year anniversary of the St Nazaire Raid (1947 British Pathé); a Behind the Scenes stills gallery; and the original trailer.



This slow-burn Irish-noir crime-drama stars the brilliant Angeline Ball as tenacious Irish Detective Sergeant Emer Berry in a tantalising six-part series where she tackles a deadly murder case in Dublin. When Sarah Manning’s (Elaine Cassidy) suave businessman husband, Lee, is murdered while on business in Montreal, her busy high-end life in her gleaming palatial home in Dublin quickly tailspins. Fond memories give way to alarming questions and Sarah soon realises that she knows little about her husband’s past, or his job at the imortant transnational pharmaceutical company Gumbiner-Fischer. Detective Byrne is brought in to uncover the truth, and as she ruthlessly investigates, she discovers a web of devastation, deception and lies. And as danger mounts, Sarah begins to suspect that Lee’s murder is connected to the death of her first husband. Did both men know a terrible secret that got them killed? Also starring Morten Suurballe and Lisa Dwyer Hogg, this swiftly moving thriller follows Sarah’s high stakes fight for the truth amidst a conspiracy of corporate, police, and political interests. Where, exactly, will Sarah’s quest for truth lead, and is it an Acceptable Risk she should take? This engrossing series, filmed in Montreal, Dublin and Wicklow, Ireland, and packed full of intrigue and treachery, is scandalously addictive. Angeline Ball expertly underplays the detective and Elaine Cassidy is understandingly baffled – ‘It’s like I married someone who wasn’t there.’ Sarah’s sister, Nuala (Lisa Dwyer-Hogg), adds to the mystery, as does Risteárd Cooper, head of security at the powerful Gumbiner-Fischer. ‘Elegantly shot…a strong, female-led cast… Elaine Cassidy brings an intriguing mix of vivacity and shiftiness.’ – The Times. Special features with this DVD release include Behind the Scenes featurettes and a picture gallery.



The Gentle GunmanAt the height of the Blitz during the Second World War, Terry (John Mills) and his younger brother Matt (Dirk Bogarde) are undercover IRA foot-soldiers working in London. But while Matt is fully committed to the cause, Terry is now beginning to question their violent methods. When two fellow IRA members are arrested, the brothers are asked to break them out. Will the compromised Terry follow his orders, or will his his moral misgivings put the two in harm’s way? Based on the stage play by Roger MacDougall, The Gentle Gunman is a rarely seen classic crime thriller from 1952 expertly directed by Ealing Studios stalwart Basil Dearden, with outstanding Noirish black and white photography, often shot on real locations, by Gordon Dines, who previously worked on Pool of London and The Blue Lamp. John Mills gives a subtle performance with touches of humour and Dirk Bogarde is suitably distracted as his more passive brother. The film also stars the Canadian-born actor Robert Beatty as a tough IRA organiser, the wonderful Elizabeth Sellars as a beautiful republican girl, Barbara Mullen as the suffering mother, with Liam Redmond, Jack MacGowran, and a rare acting cameo from Gilbert Harding as the irascible Engishman Henry Truethome, arguing enjoyably with his friend/adversary Dr Brannigan (Joseph Tomelty). This stunning new restoration of The Gentle Gunman will be available on Blu-Ray, DVD and on Digital as part of Studiocanal’s Vintage Classics collection from March 7. Extras that include a Behind The Scenes Stills Gallery and ‘A Closer Look At The Gentle Gunman’, with ‘Dirkologist’ Matthew Sweet and writer Phoung Lee.



THE INDIAN TOMBDirector Joe May’s lavish adventure thriller, The Indian Tomb (Das Indische Grabmal), written by Thea von Harbou (based on her novel) and Fritz Lang (who she would soon marry), was originally released in 1921. This two-part mammoth adventure is rich in exotic imagery and mysticism and no expense was spared. Elephants and tigers were co-opted from zoos and fake palms planted to create a version of India filled with lepers, crocodiles and gigantic architecture, all filmed on huge sets in Germany. The excellent Conrad Veidt is outstanding as a wealthy, dominating maharajah who commissions a German architect (Olaf Fønss) to build the most magnificent mausoleum ever constructed, where he intends to imprison his wife whilst she is still alive as a terrible revenge for her infidelity. The architect’s fiancée is played by Mia May (film mogul Joe May’s wife), exotic Erna Morena plays the Princess, and there is a memorable performance as Ramigani the mysterious Yogi by Bernhard Goetzke, who would later appear in Lang’s Destiny, Dr. Mabuse, the Gambler and Die Nibelungen: Kriemhild’s Revenge. Eureka Entertainment marks The Indian Tomb’s 100th Anniversary with this new release as part of its Masters of Cinema Series from 21 February 2022. Both parts of the epic film (total viewing time 243 minutes) are presented in 1080p HD, across two Blu-ray discs from 2K restorations undertaken by the Murnau foundation (FWMS). Extras include a musical score (2018) by Irena and Vojtech Havel; optional English subtitles; a new video essay by David Cairns & Fiona Watson; and a collector’s booklet featuring new writing on the film by Philip Kemp. ‘An incredibly rewarding movie for devotees of German cinema.’ – Movies Silently. Watch the trailer



HerselfSandra is a put-upon young Mum trying to provide her two young daughters with a warm, safe, happy home to grow up in. However, when it becomes clear that the local council won’t provide that home, she decides to build it herself from scratch. But with very little income and no savings, Sandra must use all her ingenuity to make her ambitious dream a reality whilst at the same time escaping the grip of her possessive ex-husband. The lionhearted Sandra draws together a community of friends to support her and it is the kindness and generosity of these people alongside the love of her young daughters that helps build her strength and sense of self. Developed with BAFTA award-winning actress, writer, producer and director Sharon Horgan (Catastrophe), Herself is cleverly directed by Phyllida Lloyd and co-written by Malcolm Campbell with the young Irish actress Clare Dunne, who gives a brilliant performance as struggling yet reilient Sandra. The impressive cast also includes the excellent Harriet Walter as a posh and sympathetic friend Peggy, Conleth Hill as forthright local builder Aiden, and Ian Lloyd Anderson as Sandra’s emotionally abusive husband Gary. This is a warm and imaginative story – more enchanting fairy tale than strict social-realism – that explores Dublin’s housing crisis and Sandra’s determined fight against bureaucracy. It’s a tale that is sure to resonate with many young people around frustrated in their attempt to find a place they can call home. Extras include the theatrical trailer. ‘One of the year’s most inspirational dramas.’ – Metro.



Purcell - Dido and AeneasThe English Baroque composer Henry Purcell was a genius whose ability to combine French and Italian influences transported the English language to new levels of expression in music. His exhilarating Opéra comique Dido & Aeneas is based on a part of the fourth book of Virgil’s Aeneid, with a libretto by Nahum Tate (England’s poet laureate at the time). The hour-long opera tells the story of a Queen thwarted in love by Fate. Aeneas and his crew are shipwrecked in Carthage and he and Dido, the legendary Queen of that city, fall in love. When she finds that Aeneas must soon leave to found Rome, Dido cannot live without him and awaits death. This intense tale of heroism, passion, betrayal and ultimate tragedy is played out against a backdrop of fiery rituals, evil spells and pageantry. Dido and Aeneas is England’s oldest opera and was first performed in 1689 at a girls’ school in Chelsea, London, but unfortunately neither the original nor any 17th Century copy survives. Pioneering in its day, this is one of Purcell’s foremost theatrical works and has proved to be of unceasing appeal to audiences for centuries. Deborah Warner’s brilliant and imaginative stage direction combines period colour with present-day dynamism, while William Christie’s affection for this opera as he conducts Les Arts Florissants shines through in an overwhelmingly acclaimed performance filmed in December 2008 at the Opéra Comique in Paris. Swedish mezzo-soprano Malena Ernman and baritone Christopher Maltman have a real magnetism together in the title roles, sung and acted to perfection. Hilary Summers is a spirited Sorceress, the prologue is spoken by Fiona Shaw, and the girls’ school witches are a quirky delight. This beautiful, chic production of Purcell’s masterpiece is highly recommended.



Titon et l'AuroreFrench violinist and composer Jean-Joseph Cassanéa de Mondonville, a younger contemporary of Jean-Philippe Rameau, was greatly admired in his day. Born in Narbonne in 1711 to an impoverished aristocratic family, he moved to Paris and gained the patronage of the king’s mistress Madame de Pompadour and won several musical posts, including violinist for the Concert Spiritue, where he later became director. He enjoyed great success with the lighter forms of French Baroque opera, the opéra-ballet and the pastorale héroïque, and one of his most popular works was his opera in three acts and a prologue Titon et l’Aurore (‘Tithonus and Aurora’), which played an important role in the Querelle des Bouffons, the controversy between partisans of French and Italian opera which raged in Paris in the early 1750s. Members of the ‘French party’ ensured that Titon’s premiere in 1753 was a resounding success and triumphed over the rival ‘Italian style’. The narrative of this spectacular opéra-ballet follows the tumultuous and seemingly unbreakable liaison between the goddess of the dawn L’Aurore and her lover, the mortal shepherd Titon. Jealous gods and goddesses try to interfere through murderous intent and dramatic abduction, but true love ultimately conquers all. This new Blu-ray release features a film directed by François Roussillon in 2021 at the Opéra Comique, Paris, without an audience, during the Covid-19 pandemic. Stage director Basil Twist’s acclaimed feast for the senses has a cast that includes Belgian tenor Reinoud van Mechelen as Titan and young French soprano Gwendoline Blondeel as Aurore, with Emmanuelle De Negri (goddess of shepherds, flocks and livestock Palès, who is also in love with Titon), bass-baritone Marc Mauillon as god of the winds Éole, Julie Roset (Amour) and Renato Dolcini (Prométhéé). The early music ensemble Les Arts Florissants is conducted by William Christie. ‘Marc Mauillon gives admirable breath control and projection, Gwendoline Blondeel vocalises with boundless skill. Reinoud van Mechelen plays Titon with seductive timbre.’ – Watch the trailer



Les Enfants TerriblesControversial French director Jean-Pierre Melville is often regarded as the ‘godfather of the Nouvelle Vague’, famous for daring and innovative filmmaking that would see him influence many artists and filmmakers. He worked mostly independently, even building his own studio, and it was this fierce do-it-yourself attitude that resulted in uncompromising films such as Bob le Flambeur. French New Wave filmmakers adopted Melville as a sort of godfather (Godard even gave him a cameo in Breathless) but Melville went his own way, making highly idiosyncratic crime films that were beholden to no trend (he was one of the first French directors to use real locations). Though remembered primarily for intense, spare 1960s gangster films like Le Cercle Rouge, Melville had a varied range that included wartime dramas and Les Enfants terribles, a psychosexual character study made in collaboration with Jean Cocteau. This is an innovative and compelling tale of obsession in which teenage siblings Paul and Elisabeth create an intense, private world in their shared room. They live, sleep, bicker and play out erotically charged games within their chambre, without heed to the world around them. However, when outsiders intrude into their disturbingly private realm, the scene is set for tragedy. The mercurial, multi-talented Jean Cocteau provides the screenplay, adapted from his own haunting novel. Despite their clashes on set, what emerges is a unique film that is as true to Cocteau’s vision as it is to Melville’s.

Les Enfants terribles is a unique and disturbing melodrama that explores death, desire and unrequited love. The poetic, romantic atmosphere is made more mysterious and equivocal as cast are clearly much older than the characters they play. Nicole Stéphane was 27 when she gave her extraordinarily intense performance as Elisabeth and Edouard Dermithe (Paul) was 25 then years old. Jean Cocteau promoted him as an actor after he failed to get a job as Cocteau’s gardener. Renée Cosima is excellent in the dual roles of beautiful schoolboy Dargelos and the attractive. Agathe. Newly restored, this French classic now available in this sparkling Blu-ray release with  with extras that include a trailer, a picture gallery and a new commentary by film scholar Adrian Martin, as well as an  archive commentary track by the film critic Gilbert Adair, whose novel The Holy Innocents was inspired by Les Enfants terribles. There is also a feature by Ginette Vincendeau, film scholar and author of Jean-Pierre Melville: An American in Paris, on the Melville’s background and the recurring themes in his work. Filmmaker Volker Schlöndorff is interviewed in 2004 discussing his apprenticeship under Jean-Pierre Melville.



HE LOVE OF JEANNE NEYBorn in Bohemia in 1885 to Viennese parents, the great director Georg Wilhelm Pabst made only one American but was acclaimed by US film critics and historians for his brilliant silent works. Some of his most famous films concerned the plight of women in German society, including Joyless Street (1925) with Greta Garbo and Asta Nielsen, The Love of Jeanne Ney (1927) with Brigitte Helm, Pandora’s Box (1928) and Diary of a Lost Girl (1929), the last two starring the American actress Louise Brooks, who he helped become a cinematic icon. A tour de force for the director, The Love of Jeanne Ney (Die Liebe der Jeanne Ney) follows a young French woman’s struggle for happiness amid the political turbulence and corruption of post-World War I Europe, a time of insecurity, intrigue, debauchery and danger. The film blends a variety of cinematic approaches as it weaves its complex narrative of moral chaos and political upheaval: the ‘American Style,’ evocative of the Hollywood studio blockbuster; the avant-garde techniques of Soviet montage; as well as the eerie moving camerawork and shadowy perspectives typical of German Expressionism. The result is a stunning cinematic experiment that never fails to surprise the viewer as it races towards its exhilarating conclusion. As well as Brigitte Helm (of Metropolis fame) in a touching performance as a young blind woman who finds herself alone in a treacherous world, the film also stars Adolph Edgar Licho as her greedy father, Édith Jéhanne as sweet Jeanne Ney, Uno Henning as Jeanne’s revolutionary lover, and the award-winning German actor Fritz Rasp (‘the man you love to hate’) as a memorably repulsive villain. ‘An ambitious attempt to synthesize Soviet montage, Hollywood action-melodrama, and German mise-en-scène.’ – American Film Critic J. Hoberman.

This masterpiece is now available for the first time on Blu-ray in the UK in Eureka’s wonderful Masters of Cinema Series. The fully restored 1080p presentation comes with a score by Bernd Thewes and there is an alternate US release version with music by Andrew Earle Simpson. Extras include Too Romantic, Too Ghastly, a new video essay by David Cairns and Fiona Watson on the film and the troubling but uncannily gifted G W Pabst. The accompanying booklet features new writing on the film by Philip Kemp. Watch the trailer



NEON GENESIS EVANGELION ‘God’s in His heaven; all’s right with the world.’ Creator and director Hideaki Anno’s engrossing Neon Genesis Evangelion is a ground-breaking Sci-Fi series that blends a powerful character-driven story with visually striking animation and hard-hitting action. One of the most celebrated anime of all time, the series tells the story of Shinji Ikari, a fourteen year old boy who becomes the reluctant last line of defence for humanity when his distant father orders him to pilot the Unit 01 mecha and do battle with mysterious beings called ‘Angels’, extraordinary beings that possess various special abilities. Multipurpose Humanoid Decisive Weapon Evangelion is the only method to counter these Angels, and Shinji Ikari is chosen as its pilot. The battle for the fate of humankind has begun. But exactly what are the Angels? What is destined for the young pilots? And what will become of humanity? Entertaining a compelling blend of cool mecha action, philosopy, religious symbolism and human emotion, with top class animation and brilliant storytelling. This revolutionary series is often credited as revitalising the Japanese anime industry following its premiere in 1995, with it demonstrating the medium’s ability to tell stories of philosophy, and intellectual and emotional characters unlike anything seen before in animation on a global scale. Whether you’re a fan after the best way to own your favourite series or someone discovering Neon Genesis Evangelion for the first time, this outstanding Complete Collection release gives you the chance to own the entire original saga in one package, and available for the first time on Blu-ray in the UK.

This release includes the 26-episode television series in both its original Japanese language with English subtitles, as well as the 2019 English language dub., plus over five hours of bonus features, such as classic trailers and music videos. You can relive all of Shinji, Rei, and Asuka’s fan favourite and heart-wrenching moments as well as the feature film duology of Evangelion: Death (True) and the mind-bending follow-up The End of Evangelion, which filmmakers voted as among the 100 best animated movies of all time in a TimeOut 2014 poll. Neon Genesis Evangelion became a watershed moment in the growth of anime fandom worldwide with a legacy as a pop-culture juggernaut that continues to this day. Its popularity in Japan alone has made Evangelion one of the highest-grossing media franchises in the world, with profits of over $16 billion, ‘The show introduces a brilliant chicken-and-egg conundrum: Do humans define machines, or do machines define us?’ – New Yorker.



This spectacular film of Don Quixote, choregraphed after Petipa and directed for the screen by Russian ballet superstar Rudolf Nureyev, is recognised as one of the finest, most exciting ballet performances ever caught on camera and a cinematic triumph in its own right. The original ballet, based on scenes from the novel Don Quixote de la Mancha by Spanish novelist Miguel de Cervantes, was choreographed by by Marius Petipa with music by Ludwig Minkus for the Ballet of the Imperial Bolshoi Theatre of Moscow in in 1869. Filmed in a hangar at Essendon airport, Melbourne, with the Australian Ballet in 1973, the cast includes the graceful, charismatic Nureyev in lighthearted form as Basilio the barber, Australian Sir Robert Helpmann, who also co-directed, as the dignified but deluded knight, charming New Zealander Lucette Aldous, formerly of the Royal Ballet, as Kitri/Dulcinea, Ray Powell as an exceptional Sancho Panza, Colin Peasley (Gamache), Marilyn Rowe (Street Dancer/Queen of the Dryads) and Kelvin Coe (Espada). John Lanchbery conducts his completely re-orchestrated score, with additional music, and the colourful production and costume designs are by Barry Kay.  The expert photography is by Geoffrey Unsworth, of Cabaret and 2001: A Space Odyssey fame. This timeless story of love, gallantry and misadventure – all unfolding with Minkus’s exhilarating Spanish-flavoured music – has stood the test of time as one of the world’s most popular ballets. Lovingly restored from the original 35mm film, and to be heard for the first time in full surround sound digital stereo created for the DVD and Blu-ray release, this acclaimed production is finally available as Nureyev intended his Don Quixote to be seen and heard. The expert photography by Geoffrey Unsworth – of Cabaret and 2001: A Space Odyssey fame – captures the movement an colour brilliantly. Extras include a documentary, ‘A Little of Don Quixote’, the Don Quixote Restoration Process, and Biographies.



All Creatures Great and SmallThe charming, much-loved All Creatures Great and Small, based on the hugely popular novels of James Herriot (aka James Alfred Wight OBE), returns for a much-anticipated second series of veterinary adventures, budding romances, and life in the sleepy town of Darrowby, Yorkshire with its rolling fields, and colourful community. We follow the trials and tribulations and lives and loves of the locals, surrounded by the beautiful Yorkshire dales, where farmers and vets alike savour a foaming pint at the end of a hard day’s work. After local farmer’s daughter Helen Anderson (Rachael Shenton) jilted her intended, wealthy landowner Hugh Helton (Matthew Lewis – Neville Longbottom in the Harry Potter films), at the altar, she, and James (newcomer Nicholas Ralph in the role played by Christopher Timothy in the original 1970s TV series) can finally address their feelings for each other. But it can be tricky in such a close-knit community where not everyone takes too kindly to Helen’s decision. Prompted by James’ and Helen’s affections, cantankerous Siegfried (Samuel West), extravagant playboy Tristan (Callum Woodhouse) and youthful Skeldale housekeeper Mrs Hall (Anna Madeley) also reflect on their places in the world, meanwhile a trip back home to Glasgow forces James to choose between duty and love… The outstanding cast also includes Patricia Hodge (replacing the late Diana Rigg as Mrs Pumphrey, proud owner of spoilt Pekingese Tricki Woo), James Fleet, and Frances Tomelty, not to mention numerous dogs, cats, horses, cows and chickens. Filmed amid glorious Dales countryside, this warm, gentle and humorous series is as welcome as a comforting mug of Yorkshire tea. ‘The triumphant reboot of the classic veterinary drama based on James Herriot’s much-loved books returns’ – Saga. Following its run on Channel 5, this soul-soothing family now available on DVD and as part of a Complete Series 1 & 2 Box set.



Early Universal, Vol 2Legendary studio Universal Pictures, also known as Universal Studios or just ‘Universal’, was founded in 1912 by pioneer Carl Laemmle and other disgruntled nickelodeon owners to save money by producing their own pictures. Now the oldest surviving film studio in the USA, Universal has successfully created hundreds of films, from low budget melodramas and westerns to Lon Chaney classics like The Phantom of the Opera and box office hits such as Jurassic World, E.T. and Jaws. Following the excellent Volume 1 in Eureka’s Masters of Cinema Series, this enjoyable two-disc Blu-ray set features a further trio of early silent films from the legendary film studioa, all fully restored, and available for the first time on home video in the UK. Allen Holubar stars in 20,000 Leagues Under the Sea as the domineering, vengeful Captain Nemo, who rescues the passengers of an American naval vessel after ramming them with his impressive iron-clad, steampunk submarine, The Nautilus. Directed by Stuart Paton in 1916, the film ncorporates material from Verne’s Mysterious Island as it follows the adventures of a group of Civil War soldiers whose hot-air balloon crash lands on an exotic island, where they encounter the untamed ‘Child of Nature’ in a leopard skin outfit (a beguiling, somtimes humorous performance by Jane Gail). Remarkable early underwater wildlife photography is provided by brothers George and Ernest Williamson) and the film reveals Captain Nemo’s unlikely backstory, ‘which Jules Verne never told’. ‘Sets an extraordinarily high bar that many of the subsequent adaptations of Verne fail to reach.’ – Daily Mirror.

In The Calgary Stampede, directed by Herbert Blaché in 1925, real life rodeo champion Hoot Gibson demonstartes his supreme riding skills as Dan Malloy, who wins the big one, the Calgary Stampede. When the father of his new French-Canadian girlfriend, bright-eyed Marie La Farge (Virginia Browne Faire) turns up dead, Malloy is the only suspect! Philo McCullough plays a dogged Mountie and Jim Corey is a memorable baddie. Filmed in Calgary and the Wainright Reservation, where the elk and buffalo still roamed, the film has many real-life scenses of rodeo action. What Happened to Jones? Was directed by William A. Seiter in 1926 and stars gifted English-born actor Reginald Denny as a young bachelor on the night before his wedding. He is persuaded to attend a poker party which is promptly raided, sending him on the run from the police in a series of increasingly adventures that involve hilarious disguises, a milk-cart, Madame Zella’s Reducing Parlor, and a wonderfully confused wedding. Excellent support is provided by Otis Harlan as rotund Ebeneezer Bigby and Zazu Pitts as the maid Hilda (‘I didn’t see nuthin’). The first print run of 2000 copies comes in a Limited Edition O-Card Slipcase and the 1080p presentation on Blu-ray from restorations undertaken by Universal Pictures. The music scores are by Chris Tin (The Calgary Stampede), Anthony Willis (What Happened to Jones? ) and Orlando Perez Rosso (20,000 Leagues Under the Sea). The new audio commentaries are by professor and film scholar Jason A. Ney (The Calgary Stampede) and film historian and writer David Kalat (What Happened to Jones?). The accompanyimg collector’s booklet includes new writing on the films. Watch the exclusive trailer



This enjoyable two-disc Blu-ray set includes three early silent features from Universal, all fully restored, as a part of Eureka’s Masters of Cinema Series for the first time on home video in the UK. In the prototype screwball comedy Skinner’s Dress Suit (directed by William A. Seiter in 1926), Reginald Denny stars as a self-effacing clerk who asks his boss for a raise at the urging of his wife Honey, played by the excellent Laura La Plante. His request is rejected, but he lies to his wife, who immediately goes out and buys an expensive suit, an act that upends his once-ordered life. Skinner also has to cope with his mischievous assistant (Arthur Lake), a persistent tailor (William H. Strauss), pugnacious Lionel Braham and flighty secretary (Betty Morrissey) and the Savannah Shuffle, which ultimately comes to his rescue. Look out also for gossip columnist Hedda Hopper when she was struggling actress. Lively, witty, and warm-hearted, Skinner’s Dress Suit is still sublimely funny after nearly a hindred years. In The Shield of Honor (director Emory Johnson, 1927) the LAPD has a new method of fighting crime, the Air Police. Their newest recruit, young hotshot pilot Jack MacDowell (Neil Hamilton), is tasked with catching a gang of jewellery thieves. It’s a stirring mixture of complicated skulduggery, corruption, stolen diamonds, a beautiful blonde moll (Thelma Todd), young love and aviation heroics. The Shakedown (directed by the great William Wyler in 1929) features everyman Dave Roberts (the tragic James Murray, who also starred in King Vidor’s classic, The Crowd) as a fighter who secretly takes falls in fixed fights against the formidabe brawler Battling Rolf (George Kotsonaros). Dave falls head-over-heels for a pretty waitress (Barbara Kent) and ragamuffin street orphan Clem (Jack Hanlon) – ‘I was an orphan before I was born’ – and his life inside and outside the ring dramatically alters. The fight scenes are superbly filmed and ‘Employing an impressive range of visual tactics, such as whip pans, rapid cutting, and superimpositions, Wyler gives Dave’s transformation from fraud to champ a striking dynamism.’ – Slant Magazine. The first print run of 2000 copies is being issued with a Limited-Edition O-card Slipcase. Extras include audio commentaries on all three features plus A Collector’s Booklet featuring new writing on the films. Watch the trailer



Rameau - Hippolyte Et AricieFrench composer Jean-Philippe Rameau was born in Dijon in 1683 and spent the first half of his life mostly in the provinces. He was a violinist in the Lyons Opera and held  organ posts in Avignon, Clermont and Dijon. During a visit to Paris he published his first book of harpsichord pieces and settled there permanently from 1722 until his death in 1764, teaching and writing harpsichord pieces, cantatas and music for the theatre. As well as being one of the most important music theorists of the Baroque era, Rameau replaced Jean-Baptiste Lully as the dominant composer of French opera, provoking great controversy between the traditional Lullistes and the forward-looking Ramistes. Rameau’s music was daring and unorthodox when compared to that of Lully, and his choice of subject matter more adventurous. Hippolyte et Aricie (Hippolytus and Aricia), with a libretto by Abbé Simon-Joseph Pellegrin, based on Racine’s tragedy Phèdre, was Rameau’s first opera. He composed it when he was aged fifty and for the next twenty years he wrote twenty more operas, later recollecting thet ‘I have been a follower of the stage since I was 12 years old. I only began work on an opera when I was 50, I still didn’t think I was capable; I tried my hand, I was lucky, I continued.’ The opera takes the traditional form of a tragédie en musique, with an allegorical prologue followed by five acts, but early audiences found little else conventional about the work. Many were delighted though and André Campra praised the richness of invention. Today, this beautiful and moving opera hardly sounds scandalous and although it fell out of favour after its first performances the work has gained popularity in recent years and is now considered to be an almost perfect example of baroque opera. The breathtaking spectacle involves prince Hippolyte, who asks his mother-in-law Queen Phèdre for help in wooing the beautiful Aricie, not knowing that Phèdre secretly wants Hippolyte for herself. In a single work Rameau re-invented tragédie en musique with dramatic expressiveness and shocking harmonic innovations.

This blu-ray release features an acclaimed Opéra Comique production that personifies Rameau’s assertion that ‘music must speak to the soul, its true aim must be to express thoughts, feelings, and passions’. Directed by Jeanne Candel, the outstanding cast includes Belgian tenor Reinoud Van Mechelen (Hippolyte), the captivating young French soprano Elsa Benoit (Aricie), Sylvie Brunet-Grupposo (Phèdre) and Stéphane Degout (Thésée). Rameau’s lyrical tragedy changed the course of French music and this is a welcome opportunity to see enjoy an extraordinary opera by one of the most important Baroque composers.



‘I don’t know who I am, I don’t know where I’m going, but I know why.’ Olivier award-winning playwright Jez Butterworth continues to merge fantasy and fact in his hallucinogenic historical series, Britannia. The fightback against the Roman Empire, which stands at its mightiest, is on the horizon. Aulus Plautius (the excellent David Morrissey) is joined by his wife, the cannibalistic Hemple (an extravagantly ghoulish  performance by Sophie Okonedo) who arrives from Rome to oversee his conquest of the Britons, bringing with her mysterious and dark forces. The wild and beautiful Cait (Eleanor Worthington-Cox) continues her journey to becoming the prophesied ‘chosen one’ and Mackenzie Crook’s crazed 10,000-year-old Druid leader Veran is set to head down into the underworld for a glimpse of the future. As competing factions feud, whose prophecy will be fulfilled, and who edges closer to ruling Britannia? There are more throat slashing, drugged-up-druids, and plenty of romping as Britannia returns to rule TV. as capricious Celts and ruthless Romans march back onto our screens, bringing with them oodles of gore, game, and gusto, all splendidly photographed. ‘Psychedelic romp plays out like Game of Thrones meets a grotty Glastonbury LSD trip – delirious good fun.’ – The Telegraph. Recently returning to Sky Atlantic, Britannia Series 3 is now available on DVD, alongside a Series 1-3 Box Set. Depraved, funny, sweary, someimes gloriously anachronistic and decidedly over the top, the third series of Britannia carries on where the action left off and continues to be outrageous fun – ‘You won’t fool the children of the revolution.’ Extras include a Behind the Scenes featurette and a striking Picture Gallery.



FalbalasThis daring, scandalous 1945 drama is set in the glamorous and ruthless world of fashion. Micheline (an impeccable performance by the beautiful Micheline Presle) is a young woman from the provinces who arrives in Paris to prepare for her marriage to a silk manufacturer from Lyon, Daniel Rousseau (handsome Jean Chevrier). Flush with the romance and excitement of Paris, she ends up falling in love with the best friend of her husband-to-be, the charismatic, temperamental fashion designer Philippe Clarence (Belgian born Raymond Rouleau). An unremitting womaniser, Clarence seduces her into a tempestuous liaison doomed for failure. There are fine performances too by Gabrielle Dorziat as the formidable Solange, who has plenty to put up with as she keeps things together at the shop but rarely smiles, and Françoise Lugagne, heart-breaking as Anne-Marie, the ex-girlfriend who truly loves Philippe. Directed with verve and sophistication by the excellent Jacques Becker (Touchez Pas Au Grisbi, Casque D’Or), this stylish milestone in French cinema is one of the greatest films ever made about the fashion industry. Seeing Falbalas made Jean-Paul Gaultier want to go into fashion and the film shaped his ideas of what that world would be like. The glorious black and white cinematography is by Nicolas Hayer, the gowns are by Marcel Rochas, and the music by Jean-Jacques Grünenwald. Newly restored, Falbalas (‘Paris frills’) is now available looking and sounding better than ever on Blu-Ray for the first time as well as on DVD and Digital as part of Studiocanal’s excellent Vintage World Cinema collection. Extras include Falbalas: a family affair (featuring the director’s son talking about the family’s involvement in fashion); Fashion and clothing: Jean Paul Gaultier; An interview with Micheline Presle (still looking great in 2001); Auditions. A must for all fans of French cinema.



Hahn - CibouletteReynaldo Hahn is best known as the composer of charming French songs, though his father was German and his mother was Venezuelan. In 1878, when Reynaldo was three, the family left Venezuela for Europe. Reynaldo later established himself as the most Parisian of composers after studying at the Paris Conservatory, where he became a close friend and favourite pupil of Massenet. As well as songs, he composed incidental music, ballets, operas and several popular operettas, the first and most successful of these being the delightful Ciboulette. This was composed when librettist Robert de Flers asked him to write a traditional operetta set in Les Halles, ‘like Lecocq’s Fille Angot.’ First performed at the Théâtre des Variétés in Paris in 1923, Hahn’s elegant, witty and sophisticated composition is one of the final masterpieces of French operetta. A nostagic hommage to Offenbach and Hervé, the action takes place in Paris in 1867. Duparquet, an aging poet, is the controller of Les Halles and plays matchmaker between the promiscuous market-girl Ciboulette and her young suitor, Antonin. After many adventures and much lush music the lovers are happily united. Hahn wrote other works in this genre but  none of them could match Ciboulette’s success.

This recording was made at the Opéra Comique, Paris, in 2013, featuring an acclaimed production directed by Michel Fau, who also appears in drag as an alluring lounge singer, La Comtesse de Castiglione. The outstanding cast also includes French soprano Julie Fuchs in the title role, with baritone Jean-François Lapointe as the worldly Duparquet and Julien Behr as the dotty aristocrat, Antonin de Mourmelon. Ronan Debois plays dashing hussar captain Roger de Lansquenet, with Eva Ganizates as his spoilt mistress, Zénobie, and revered screen actress Bernadette Lafont as fishmonger and palm-reader, Madame Pingret. The real-life director of the Opéra Comique (and cousin of Jacques Tati) Jérôme Deschamps puts in a fine comic appearance as the theatre director responsible for Ciboulette’s turn as a fake Spanish cabaret star. BBC Music Magazine described the cast of this acclaimed French production as ‘impeccable’. Laurence Equilbey conducts the Accentus Chamber Choir and Toulon Opera Symphony Orchestra. The charming set designs are by Bernard Fau and Citronelle Dufay, with costumes by David Belugou.



THE ORIGINAL THREE TENORSThe honey-toned operatic tenor José Carreras was born in Barcelona in 1946 and gave his first public performance at the age of eight, singing La Donna e Mobile on Spanish national radio. By the age of 28, he had sung the lead tenor in twenty-four different operas but in 1987, at the height of his career, he was diagnosed with leukaemia and had to endure lengthy medical treatments before being able to resume singing. In 1990, millions of people around the world watched The Three Tenors (Carreras, Plácido Domingo and Luciano Pavarotti) give a concert at the opening of the World Cup in Rome. Originally conceived to raise money for Carreras’ leukaemia foundation, it was also a way for Domingo and Pavarotti to welcome back their colleague to the world of opera and resulted in one of the best-selling classical albums of all time. Renowned for his resonant, powerful voice, imposing physical stature, good looks and acting ability, Plácido Domingo  is one of the twentieth century’s most popular tenors, acclaimed by Newsweek and others as ‘the King of Opera’ and ‘the greatest operatic artist of modern times’  – a true renaissance man of music whose repertoire includes 130 stage roles (more than any other famous tenor in history). Luciano Pavarotti was born in 1935 in Modena, Italy. After abandoning his dream to become a professional footballer, he spent seven years in vocal training before beginning his remarkable career as a tenor, gaining international recognition while touring with soprano Joan Sutherland and becoming known as the 1970s was ‘King of the high Cs’, famous for the brilliance and beauty of his voice. He was widely mourned following his death in Modena in 2007 after a career spanning 45 years – one of the longest of any operatic singer. As well as acclaimed appearances at the world’s finest opera houses, Pavarotti gained superstardom at the 1990 World Cup in Italy, singing Nessun Dorma from Turandot. More than just an opera singer, Luciano Pavarotti was a glamorous icon of popular culture and loved by millions. He was widely mourned following his death in Modena in 2007. Pavarotti’s career spanned 45 years – one of the longest of any operatic singer.

This splendid release includes that legendary concert of the Original Three Tenors, conducted by Zubin Mehta at the Terme di Caracalla, Rome in 1990 on the eve of the Football World Cup, watched by 1.6 billion spectators worldwide. Now available or the first time available on Blu-ray, digitally remastered, this edition also includes a new documentary The Three Tenors – From Caracalla to the World, featuring recent interviews with José Carreras, Plácido Domingo, Zubin Mehta, Pavarotti’s widow Nicoletta Mantovani, Lalo Shifrin, Brian Large, Mario Dradi, Paul Potts, Sir Bryn Terfel, Norman Lebrecht, Didier de Cottignies and many more. Previously unpublished backstage material shows the tenors unadorned and offers a fascinating insight into what takes place beyond the spotlight in Rome and the sequel in Los Angeles, 1994. The film takes a completely new look at the concert legends as, for the first time, they talk about Carreras’ struggles with leukemia, their rivalries and friendships, their spectacular contract poker and life as an opera star.


DECEIT         ACORN AV3651

Deceit DVDIn 1992,  23-year-old  Rachel Nickell, was tragically murdered on Wimbledon Common, while out walking with her two-year old son. A passer-by found the distressed little boy clinging to his mother and many lives were destroyed… not only by the brutal killing, but by the subsequent media frenzy that lead to one of the most controversial and catastrophic police investigations of its time. When BBC Crimewatch covered the murder, witnesses identified a local oddball named Colin Stagg, often seen walking his dogs on the Common. Lacking forensic evidence to link him to the crime, the Metropolitan police – pressured by the media outrage, and their obsession with justice – are determined to catch the guilty man before he kills again, by devising a plan to ensnare him. Evocative, engrossing and emotive, Deceit is a thoroughly researched and nuanced dramatisation of the Met’s controversial honeytrap operation that saw ambitious and determined undercover officer, Sadie Byrne – codenamed Lizzie James (the excellent Niamh Algar) prepared to put herself in danger as sexual bait, hoping to entice the suspected killer to confess. Leading the case is a young Detective Inspector, Keith Pedder (Harry Treadaway), who is under pressure to solve the case and enlists a rather creepy criminal profiler, Paul Britton (Eddie Marsan) to mastermind the undercover. operation. Written and produced by Emilia di Girolamo, sharply drecred by Niall MacCormick this captivating and challenging drama explores dark and morally dubious territory. Shown mostly from the female perspective. it reflects on the historic treatment of women and asks the crucial question: who is being deceitful, and who is being deceived?

Niamh Algar gives a powerful, intense performace as the increasingly challenged ‘Lizzie James’, and Sion Daniel Young is equally outstanding as Stagg, making the man’s disturbing traits clear yet eliciting sympathy for him and his plight. This acclaimed four-part, true-crime drama, first broadcast on Channel 4, has now been released on digital and on DVD by Acorn Media. Extras include cast interviews, three Behind the Scenes featurettes and two fascinating features: ‘A Backdrop for Deceit’ and ‘Spinning a Web of Deceit’. Watch the trailer



JOHNNY GUITAR‘There was never a man like my Johnny…the man they call Johnny Guitar.’ Cult director Nicholas Ray’s extraordinary psychological western, Johnny Guitar, stars Oscar-winning Joan Crawford in a barn-storming performance as Vienna, a saloon owner with a sordid past. Persecuted by the townspeople, Vienna must protect her life and her property when a lynch mob led by her sexually repressed rival, Emma Small (a genuinely furious Mercedes McCambridge), attempts to frame her for a string of robberies she did not commit. Enter the cool Johnny Guitar (Sterling Hayden), a guitar-strumming ex-gunfighter who has a history with Vienna. Also featured are Hollywood Western stalwarts such as Ward Bond, Ernest Borgnine, John Carradine and an uncredited Sheb Wooley. Set among the vividly photographed red rocks of Sedona, Arizona, this is an outlandish and unconventional film that grips from its explosive start to the passionate final shootout between Vinna and Emma. The lush music score is by the great Victor Young. Mis-understood by US audiences when originally released in 1954, the ground-breaking film was embraced by European cineastes and is now regarded as one of the greatest western pictures of all time. This intensely stylised, one-of-a-kind masterpiece here makes its UK debut on Blu-ray as part of Eureka’s Masters of Cinema series. ‘A truly demented Western, with vividly colourful settings and and an almost operatic intensity of emotional and physical violence.’ – Kim Newman, Empire. The impressive 4K restoration of original film elements are framed in the film’s originally intended aspect ratio of 1.66:1. Extras include commentary by critic Geoff Andrew, author of The Films of Nicholas Ray: The Poet of Nightfall; New video pieces by David Cairns; An interview with Susan Ray; Archival introduction to Johnny Guitar by Martin Scorsese; The trailer. The 60-page collector’s book features essays on the making of Johnny Guitar and on female gunslingers in the western genre, both by western expert Howard Hughes; an essay by Jonathan Rosenbaum; and archival writing and ephemera. Watch the trailer



The ServantSexual tensions and class conflicts run high in this wickedly subversive Joseph Losey classic, featuring BAFTA-winning performances from Dirk Bogarde and James Fox. The first of three collaborations between director Losey and celebrated playwright Harold Pinter, The Servant follows sly manservant Barrett (Bogarde) as he worms his way in to the affections of weak, foppish aristocrat Tony (Fox). Barrett’s awe-inspiring efficiency cleverly masks his true intentions, ultimately giving way to a suspicious and insidious control where the roles of master and servant are reversed. The Servant is a thrilling and ingenious British classic that’s not to be missed. Fox and Bogarde are outstanding and there are fine performances too by Sarah Miles as Barrett’s seductive ‘sister’ and Wendy Craig as Tony’s aloof fiancée Susan, who sees through Barrett’s schemes. Look out also for intriguing appearances by Ann Firbank, Patrick Magee, Alun Owen and Society Man Harold Pinter, among others, as ‘people in restaurant’. Adapted from Robin Maugham’s short story, the film has stunning black & white photography by cinematographer Douglas Slocombe and a soundtrack by composer John Dankworth. To celebrate the centenary of the great Dirk Bogarde, Studiocanal has released a brand new 4K restoration of this ground-breaking film as part of their Vintage Classics collection. Following its premiere at the Edinburgh International Film Festival it will receive a cinema release on 10th September followed by a collector’s edition Blu-Ray, DVD & Digital release on 20th September. The huge array of extras inclues a video essay with Matthew sweet and Phuong Lee; Location featurette with Adam Scovell; Stills gallery; James Fox interviewed by Richard Ayoade; Interviews with Wendy Craig, Sarah Miles and Stephen Woolley; Harry Burton on Harold Pinter; John Coldstream on Dirk Bogarde; Audio interview with Douglas Slocombe; Joseph Losey & Adolphus Mekas at the New York Film Festival in 1963; Harold Pinter Tempo Interview; Joseph Losey talks about The Servant; A 64-page booklet with essays from Peter Bradshaw & Anna Smith. Watch the trailer



‘Grandpas, werewolves and other spooky stories.’ This critically acclaimed comedy horror film is the feature directorial debut for Josh Ruben, who also writes and stars as struggling actor and writer Fred – your average American white guy. New in town, he meets by chance the renowned author Fanny (a sparky performance by Aya Cash). A wary ‘friendship’ begins between Fred and the loud, smart-ass scaredy-cat Fanny. During a power outage, they decide to tell each other scary stories, and with the pizza delivery driver (Chris Redd) enthusiastically joining in with the fun (nobody can resist pizza), the two grow increasingly competitive. As Fred’s masculine pride is challenged, fiction turns to fact as the terror gets all too real. The more they commit to their tales as the evening progresses, the more gruesome reality and fantasy appear to merge. Shot among the beautifully photograohed Catskill Mountains, this ‘Imaginative and witty, razor-sharp horror comedy’ (Bloody Disgusting) combines innovative sound design and gripping performances from Aya Cash, Chris Redd and Josh Ruben for an outside-of-the-box horror. Rebecca Drysdale gives a scene-stealing performance as the shrewdly observant driver Bettina. There may not be monsters and ghouls but Scare Me will still have you cowering behind the sofa with vivid storytelling akin to those dark nights around a campfire. Released on Blu-ray, DVD and digital, this unique horror film will have you both laughing your socks off and scared silly. Extras include commentary by the director and cinematographer , interviews with the cast, and outtakes. ‘Gives us that roller coaster experience…has a beguiling effect that has us constantly wanting to hear the next story… an inspired approach to honouring such magic.’ –  Watch the trailer



Mr. KleinDirector Joseph Losey’s Mr Klein is a story of blurred identities within the politically charged atmosphere of German-occupied Paris, with themes that may well have been influenced by Losey’s own experiences of living in exile following his refusal to stand before the Un-American Activities Committee. Losey’s first French-language film with its Kafkaesque focus on the themes of identity and obsession has become a classic of the doppelgänger paranoia genre and is one of Losey’s darkest films. Paris, January 1942 – art dealer Robert Klein (coolly charismatic Alain Delon) is making a killing. For this loyal Frenchman the Nazi occupation is a unique business opportunity. He stands to profit from the Jewish people’s misfortune, as they sell their possessions in a hurry to leave the country. But when a Jewish newspaper turns up on Klein’s doorstep, his comfortable life begins to unravel. It seems there is another Robert Klein, a suspected Jewish Resistance fighter, who is content to live in the shadows and let his namesake take the fall. As Klein’s investigation of his double progresses, the mood shifts from Hitchcock to Kafka and proving his innocence becomes less important than confronting his doppelgänger. Alain Delon is mesmerising in this career defining role and Jeanne Moreau makes an all too brief appearance as Florence Klein. Unnerving, hearbreaking and poignant, the film captures the wartime France era perfectly and is superbly photographed by Gerry Fisher, Losey’s D.O.P. five years earlier on The Go-Between. Critically and publicly lauded on on its original release in 1976, this brilliant film celebrates its 45th Anniversary with this Blu-Ray release from September 13 as part of Studiocanal’s Vintage World Cinema collection (also available on DVD and Digital). Now looking and sounding better than ever, this masterpiece of post-war French Cinema comes with a host of extras, including an introduction by Jean-Baptiste Thoret; Mr Klein Revisited by Michel Ciment; Interview with Henri Lanoe. Watch the trailer



Handel - RinaldoGeorge Frideric Handel was perhaps the greatest opera composer of the first half of the 18th century. These works became neglected following Handel’s death but now, more than 250 years later, they are receiving much greater attention, with many stage revivals and studio recordings. Handel began his life in Germany, the son of a barber-surgeon, and died an English citizen, the most renowned musical figure of his day and a national treasure. Whereas his contemporary and fellow countryman, Johann Sebastian Bach, composed for the church and his patrons, Handel wrote for the general public. Acknowledged as the greatest composer working in England in the 18th century, he continues to be revered as a master composer, with many popular operas to his name. His masterpiece Rinaldo was his first opera written for London and opened in 1711, receiving 53 performances – more than any of his other operas – during Handel’s lifetime. Based on Torquato Tasso’s epic La Gerusalemme liberata, it tells the tale of the attempted seduction of the hero by the enchantress Armida against the backdrop of the First Crusade. Musicologists agree that Handel carried out a major cut-and-paste exercise with Rinaldo, as more than two thirds of his 1711 score was taken from earlier works.

The production in this recording, designed and directed by Pier Luigi Pizzi, was conceived in 1985 for Teatro Romolo Valli in Reggio Emilia, and has since travelled to some twenty major opera houses worldwide. Putting aside practical cuts and a few displacements of musical numbers, the durable attraction of this sophisticated production lies in the gorgeous costumes and scenery, a stylish paragon of ‘hyperbaroque’ that deliberately avoids both literalism and cheap provocation. This lavish production was performed at Maggio Musicale Fiorentino, which was the first Italian theatre to re-open after the lockdown in 2020. The set design and direction were perfectly tailored to the health and safety requirements in force during the pandemic. The conductor is Federico Maria Sardelli and the outstanding cast includes countertenor Raffaele Pe in the demanding role of Rinaldo, Carmela Remigio formidable as wicked Armida, Leonardo Cortellazzi as the knight Goffredo, Francesca Aspromonte (an impressive Almirena), and baritone Andrea Patucelli as Saracen leader Argante. Watch the video



VENGEANCE TRAILSSince the mid-1960s, when the runaway success of Sergio Leone’s ‘Dollars’ trilogy became a worldwide success, ‘spagehetti Westerns’ have had many admirers. The phenomenon gave rise to an explosion of productions as other filmmakers sought to capitalize on this new, uniquely Italian take on the western, characterized by their deeply cynical outlook, morally compromised antiheroes and unflinching depictions savage violence. Arrow has now released Vengeance Trails, a specially curated selection gathers together four outstanding examples of the genre from the height of its popularity, all centered around a theme of revenge. In Lucio Fulci’s Massacre Time (1966), handsome Franco Nero and Uruguayan actor George Hilton star as estranged brothers forced to band together against the powerful businessman and his sadistic son (a brilliant portrayal of twisted evil by Nino Castelnuovo) who have seized control of their hometown. look out too for Tchang Yu as the mischievous old Chinese blacksmith, undertaker and saloon pianist. In Maurizio Lucidi’s My Name is Pecos (1966), American Robert Woods stars as the eponymous Mexican gunslinger, a cool hombre (‘tequila por favor’) returning to Houston to settle a long-standing score against the racist gang boss (Pier Paolo Capponi) who wiped out his entire family. The town is full of bad men and shady characters as well as a double-crossing priest-gravedigger (Umberto Raho) and a sexy Mexican girl (Cristina Iosani). In Massimo Dallamano’s beautifully photographed Bandidos (1967), the excellent Enrico Maria Salerno plays a former top marksman who, years after being maimed by a former protégé (played with relish by Venantino Venantini), teams up with a fresh apprentice (Terry Jenkins) to get his revenge against the man who betrayed him. Finally, in Antonio Margheriti’s And God Said to Cain (1970), the inimitable Klaus Kinski stars as a man who has spent the last decade in a prison work camp for a crime he didn’t commit and who, upon his release, immediately sets out to wreak vengeance on the men who framed him.

Featuring a wealth of key Euro cult talent both behind and in front of the camera, these four classic westerns are here released here in a spectacular Limited Edition Blu-ray set. The sparkling high definition restorations come with many bonus extras, including galleries for all four films, and illustrated collector’s booklet featuring new writing by author and critic Howard Hughes and a fold-out double-sided poster featuring newly commissioned artwork by Gilles Vranckx, as well as documentaries and interviews with film historians, actors and other members of the crew for each film. Highly recommended. Watch the video introduction.



MOZART - Finta giardinieraWolfgang Amadeus Mozart (1756-1791) is perhaps the most loved and admired composer across cultures, generations, languages and musical styles. In 2006, people from all over the world celebrated his 250th Birthday by creating new museums, staging opera performances and putting on an extraordinary number of festivals, galas, special exhibitions and concert events (over 5,000). Mozart’s name summons up visions of powdered wigs, aristocrats, concert halls and opera houses, but his music  pervades all aspects our society, appearing in cartoons, films, elevators – just about anywhere that music is heard. No one needs an excuse to enjoy the music of this 18th century genius but the occasion of his so it is always a good a time as any to revisit a master of music in all its forms, inspired by a keen insight into the human heart. He wrote La finta giardiniera in 1775 when he was only 18 years old and it was his first staged buffo opera. The music is full of the expected quality, with charming, emotionally expressive numbers, the score doesn’t contain the pearls to be found in Mozart’s later masterpieces but it has much to offer in its own right. The plot centres on the lovers at the heart of the action, Sandrina – the pretend garden-girl of the title – and jealous Count Belfiore. With few ensembles, Mozart channels his most intense and expressive music into arias which demonstrate a masterful ability to convey the full range of tenderness and passion. Originally staged at Glyndebourne in 2014 by Frederic Wake-Walker, this Blu-ray release features an engaging 2018 revival from La Scala performed on period instruments, with a strong cast expertly conducted with exuberance by Diego Fasolis. Franco-Swiss soprano Julie Martin Du Theil is graceful as La Marchesa Violante (‘Sandrina’), Swiss tenor Bernard Richter is dandy Count Belfiore and Croatian Krešimir Špicer is the lecherous Mayor Don Anchise, with Anett Fritsch as Arminda, mezzo-soprano Lucia Cirillo as Arminda’s rejected suitor Ramiro, Mattia Olivieri as Roberto, La Marchese’s servant (disguised as Nardo), and Giulia Semenzato as clever servant girl Serpetta. ‘Under the baton of Diego Fasolis, who drove the show with his customary exuberance and attention to dynamics; the orchestra’s performance was a delight. The cast was uniformly strong.’ –



THE BABADOOK‘If it’s in a word, or if it’s in a book, you can’t get rid of the Babadook.’ Following the violent death of her husband on the day their son Samuel was born, Amelia Vanek struggles with his erratic behaviour and is still battling with the never-ending grief. She refuses to celebrate her son’s birthday as it’s inextricably linked to such a traumatic time, and life is a struggle. The one person who’s always been there for her, her sister Claire, finds her patience wearing thin because of Samuel’s difficult behaviour. As the boy’s seventh birthday approaches his fears get worse and he’s convinced a monster is coming to get them. He won’t settle, no matter how many bedtime stories he’s told. When an intriguing storybook with frightening images appears on the bookshelf, Samuel becomes convinced that the Babadook is the monstrous creature he’s always feared. Amelia too senses the ominous presence herself, as she slowly begins to unravel and finds it increasingly hard to cope. This stylish Australian psychological horror film blends the real and the supernatural in a gripping tale that is intelligently written and directed by Jennifer Ken. There are excellent performances, especially by Essie Davis as the terrified and terrifying Amelia, the brilliant Noah Wiseman as Samuel, Hayley McElhinney as Claire, and Barbara West a kindly neighbour, Mrs. Roach. On 26 July, a stunning dual format (Blu-ray and DVD) Limited Edition will be released by Second Sight, with extras that include an audio commentary by Alexandra Heller-Nicholas and Josh Nelson, interviews with members of the cast, ‘Monster’ (an unnerving short film with another scary creature and more things that go bump in nthe night), ‘They Call Him Mister Babadook’, a ‘making of’ feature, a 150-page hardback book, an archive interview with Jennifer Kent, and 6 collectors’ art cards. ‘How terrific to find a crowd-pleasing chiller that wants to do more than make you jump – to move your heart and your head, rather than just your body.’ – Mark Kermode, The Observer. Watch the trailer



Charles Gounod was enchanted by the young Provençal-born Frédéric Mistral’s epic love poem Mirèio, and enlisted the distinguished Michel Carré to fashion a libretto. Against the grain of prevailing operatic practice in the 1860s, and its promotion of glamour and spectacle, Gounod relished instead the lives of modest country people and their idyllic world. He utilises folk dances and a shepherd’s lament to chart the story of his tragic heroine Mireille, a young woman from a good Provençal family. She would prefer to marry her true love, the poor farmer Vincent, rather than Ourrias, a rich man chosen by her father. When Ourrias injures Vincent and leaves him for dead, Mireille decides to go on a pilgrimage to Saintes-Maries to ask for Vincent’s recovery. Tragically, in crossing the La Crau desert she dies of heat stroke and is called to heaven by a choir of angels. During the course of composition Gounod spent time in Provence, visiting the sites of the action in the poem/opera, and met Mistral on several occasions at his home in Maillane. Presenting class differences in a rural setting was not usual at the time, and some early reviewers had difficulty accepting that a ‘mere’ country girl could sing an aria with heroic cut such as ‘En marche’. ‘Everything feels true to the opera’s pastoral spirit’ wrote Gramophone about this 2009 production directed by Nicolas Joel, which marked the opera’s first appearance at the Paris Opera. The Opéra national de Paris Chorus and Orchestra are conducted by Marc Minkowski and the excellent cast is led by Albanian lyric soprano Inva Mula as the tragic Mireille and American tenor Charles Castronovo as her lover, Vincent. Watch video excerpt



FRIENDSHIP’S DEATH‘Deep down, I have more fellow feeling for this typewriter than I have for you.’ On a peace mission to earth, the enigmatic Friendship (Tilda Swinton in her second feature film role), an alien, has missed its intended destination, landing inadvertently instead in Amman, Jordan in 1970 during the civil strife of ‘Black September’. Here, Friendship meets Sullivan (Bill Paterson) a world-weary Scottish war correspondent and the pair are holed up in a hotel as the conflict rages outside. Made in 1987, Friendship’s Death is a unique and intelligent sci-fi film exploring the unlikely relationship which develops between Friendship and Sullivan and their animated dialogue, discussing life’s big questions. Directed by celebrated film theorist Peter Wollen (his only solo feature) and newly remastered in 4K by the BFI National Archive, Friendship’s Death, which world premiered at the BFI London Film Festival 2020, is now available on Blu-ray/DVD (Dual Format Edition) for the first time. Extras include an audio commentary with BAFTA-winning producer Rebecca O’Brien (I, Daniel Blake) and cinematographer Witold Stok, a discussion reflecting on the film, recorded at the BFI London Film Festival, including Tilda Swinton and Bill Paterson, plus a filmed discussion appreciating the wider work of Peter Wollen. Also included are Frida Kahlo & Tina Modotti (a 1983 documentary by Laura Mulvey and Peter Wollen exploring the work of painter Frida Kahlo and photographer Tina Modotti, female icons of the Mexican Renaissance). This features footage of Modotti in the 1920 Hollywood film The Tiger’s Coat and some exquisite home movie shots of Frida Kahlo and muralist Diego Rivera.

The illustrated booklet with this release has a new essay by So Mayer, an archival interview with Peter Wollen by Simon Field, an archival review by Thomas Elsaesser, notes on the special features and full credits. Political and eerily prescient in its contemplation on the relationship between humans and machines, working through some of Wollen’s lifelong obsessions and enthusiasms, the film expands on the themes of alienation and existentialism that Wollen had explored in his script for Antonioni’s The Passenger. Friendship’s Death’s sharp intellect and wit, coupled with outstanding performances from Tilda Swinton and Bill Paterson, makes this a compelling work to rediscover that feels remarkably relevant today. Watch the  trailer



Prokofiev - Romeo & JulietThough sometimes regarded as eccentric and arrogant, Sergei Prokofiev was one of Russia’s finest twentieth century composers. Born in the Ukraine in 1891, he soon became an accomplished pianist as well as something of an enfant terrible, mocking authority figures and anyone else who held traditionalist views. His music ranged from chamber works to brilliant, fiendishly difficult piano concertos, symphonies, operas and ballets, to film music such as Lieutenant Kije and Alexander Nevsky. He wrote the music for nine ballets in all, the best known of these being The Prodigal Son, Cinderella and Romeo and Juliet, based on Shakespeare’s most famous romantic play. Prokofiev originally rewrote the script to provide the star-cross’d lovers with a happy ending, but Josef Stalin’s cultural police made sure that Shakespeare’s original heart-rending denouement was reinstated. This meant that the revised version did not premiere at the Kirov Theatre in Leningrad until 1940, with choreography by Leonid Lavrovsky, who significantly changed the score. Prokofiev nevertheless provides the tragic young lovers with some of his most lyrical and colourful music, written during a period of artistic turmoil under a Soviet regime. Famous movements such as the Dance of the Knights have helped maintain Romeo and Juliet as the composer’s best-loved stage work, in which moments of high drama and tenderness reveal his complete mastery of the orchestra.

This Blu-ray features a 2019 production from the Royal Opera House in Covent Garden, London, in which Kenneth MacMillan’s passionate choreography shows the company at its dramatic finest. Young British soloists Matthew Ball and Yasmine Naghdi perform the title roles and the outstanding cast also includes Valentino Zucchetti (Mercutio), Gary Avis (a virile Tybalt), Benjamin Ella (Benvolio), Kristen McNally (Nurse), Fumi Kaneko (Rosaline) and Jonathan Howells (Friar Laurence / Lord Montague). Russian-born Pavel Sorokin conducts Prokofiev’s irresistible music with great tenderness and panache, bringing freshness to some of the most ardent pas de deux and powerful set pieces in ballet history. The vibrant crowd scenes with magnificent designs by Nicholas Georgiadis vividly recreate the colour and bustle of 16th-century Verona in this Royal Ballet classic. Extras include features on Why The Royal Ballet love dancing Romeo and Juliet; Darcey Bussell joins Yasmine Naghdi for a rehearsal of Romeo and Juliet; Sword Fighting in Romeo and Juliet; and a cast gallery. Highly recommended.



THE SPY WHO CAME IN FROM THE COLD‘How big does a cause have to be before you kill your friends?’ The Spy Who Came in from the Cold is an ice-cold, calculating espionage thriller from 1965 based on the acclaimed novel by John le Carré, published two years earlier. Richard Burton gives one of his finest performances as the troubled Alec Leamas, whose relationship with a beautiful communist librarian Nan (Claire Bloom) puts his assignment in jeopardy as he takes on one final dangerous mission in East Germany. Impeccably directed by the underrated Martin Ritt, the film is every bit as precise and ruthless as the book and is superby shot in downbeat black and white by Oswald Morris. The film’s altmospheric music is by Hollywood blacklisted Sol Kaplan and the totally convincing sets were created by Tambi Larsen and Hal Pereira. Burton and Bloom have great personal and cinematic chemistry and there are excellent performances too by Oskar Werner as the Jewish interrogator Fiedler, Sam Wanamaker, veteran George Voskovec as a defence attorney, Rupert Davies (the first ever screen incarnation of George Smiley), Cyril Cusack as the deceptively sly Control, Peter van Eyck as evil Hans-Dieter Mundt, Michael Hordern as the homosexual Ashe (‘bird-watching’s one of my hobbies’) and Robert Hardy as Dick Carlton. This hard-edged, tragic thriller won 4 BAFTA Awards (including Best British Film) and is suffused with the political and social consciousness that defined Ritt’s career. It’s now available restored on Blu-ray for the first time in the UK as part of Eureka’s Masters of Cinema Series. Extras include an audio commentary with film scholar Adrian Martin; A video essay by critic and filmmaker David Cairns; A 48 page collector’s booklet featuring an essay by Richard Combs plus archival imagery. ‘The film makes you believe it could have happened. And that’s the remarkable thing.’ – New York Times. Watch the trailer



Pagliacci - Cavaleria RusticanaItalian composer Pietro Mascagni was born in Livorno, Tuscany, in 1863. He enjoyed immense success both as a composer and conductor of his own and other people’s music and created a variety of styles in his operas: the exotic flavor of Iris, the idylls of L’amico Fritz and Lodoletta, the steely power of Il piccolo Marat, and the post-romanticism of the lush Parisina. Despite this versatility, he is easily best known for the Sicilian passion and warmth of his 1890 masterpiece Cavalleria Rusticana, which caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music. Like Mascagni, Ruggero Leoncavallo has also sometimes been called a ‘one-opera man’, although he produced numerous operas and other songs throughout his career (‘Mattinata’ was popularised by Enrico Caruso), as well as the symphonic poem La nuit de mai. His most lasting contribution to the operatic repertoire is undoubtedly his short two-act work Pagliacci, written in 1892 and still one of the most-performed operas worldwide. Cavalleria Rusticana and Pagliacci, both set in a poverty stricken village, are often performed together as a double bill. Canadian Robert Carsen’s widely acclaimed 2019 production for the Dutch National Opera in Amsterdam plays a masterful game of theatre-in-theatre, avoiding clichés and calling into question the nature of reality.

Cavalleria rusticana is usually placed first, but Carsen opens with Pagliacci, and this is by no means the only feature of this brilliantly sung and acted production that makes it stand out from the crowd. Lorenzo Viotti conducts the Netherlands Philharmonic Orchestra and Dutch National Opera Chorus, with an outstanding cast that includes ‘the word’s best mezzo-soprano’ Anita Rachvelishvili as peasant girl Santuzza, dynamic American tenor Brian Jagde (Turiddu), Brandon Jovanovich’s powerful Canio, Ailyn Pérez (a charming Nedda), the great Italian acting soprano Elena Zilio (Mamma Lucia), and dashing baritone Roman Burdenko (Alfio and Tonio). Watch the video



Straight Shooting & Hell BentStraight Shooting is landmark in the history of the Western. The impressive first feature directed by multi Oscar Award-Winning John Ford, it revived the career of Harry Carey who gives a rough and tumble performance as a hired gun who turns on his employers to defend an innocent farmer and his family. In Hell Bent, ‘Cheyenne Harry’ (charismatic Harry Carey playing the same character from Straight Shooting) flees the law after a poker game shootout. He arrives in the town of Rawhide, where he becomes friendly with local cowboy Cimarron Bill (Duke Lee) and dance hall girl Bess Thurston (Neva Gerber). When gang leader Beau Ross (Joseph Harris) kidnaps Bess, Harry goes to desperate lengths travelling across the deadly desert in order to free Bess from the hard-bitten Ross. Western superstar Carey appeared in many films as laid-back ‘Cheyenne Harry’ (‘a rolling stone with many notches on his gun’) and as usual gives a wonderfully naturalistic performance that stands the test of time. There is good work too from other Ford regulars such as likeable Hoot Gibson, Vester Pegg and wisome Molly Malone. Eureka Entertainment has now released these two early silent films (credited to Jack Ford) from the great Western director as part of its Masters of Cinema Series, on Blu-ray here for the first time in the UK in immaculate 4K restorations with a Limited-Edition O-Card Slipcase (First Print Run of 2000 copies) and reversible sleeve artwork. The films come with suitably Fordian music scores by Michael Gatt (Straight Shooting) and Zachary Marsh (Hell Bent). Extras include audio commentaries by film historian Joseph McBride, author of Searching for John Ford; An interview with colourful film critic and author Kim Newman; Bull Scores a Touchdown & A Horse or a Mary? – impressionistic video essays by Tag Gallagher; An archival audio interview from 1970 with a prickly John Ford by Joseph McBride; A short fragment of the lost film Hitchin’ Posts (John Ford, 1920) preserved by the Library of Congress; A collector’s booklet featuring writing by Richard Combs, Phil Hoad and Tag Gallagher. Watch the trailer



Mozart - Le nozze di FigaroWolfgang Amadeus Mozart was born in Salzburg, Austria, in 1756. He began composing minuets by the age of five and was already writing symphonies by the time he was nine, as well as being a virtuoso keyboard player and violinist. He went on to excel at every type of music in which he composed, helping to perfect the grand forms of symphony, opera, string quartet and concerto during the classical period in music. Mozart’s operas in particular contain remarkable psychological insights and were central to the composer’s creative life, representing the peak of his genius. In the 1780s, he wrote three unsurpassed operas with the librettist Lorenzo da Ponte that deal with love in its many forms, from the humanely comic (The Marriage of Figaro) and mythically resonant (Don Giovanni) to the elegantly cynical (Così fan tutte).  ‘In my opinion, each number in Figaro is a miracle; it is totally beyond me how anyone could create anything so perfect; nothing like it was ever done again, not even by Beethoven.’ – Johannes Brahms. This Blu-ray recording features an acclaimed performance of Le nozze di Figaro (The Marriage of Figaro) recorded at the Theater an der Wien in 2014. The Concentus Musicus Wien is conducted by master of period performance and ‘Mozart rebel’ Nikolaus Harnoncourt and the ‘original-sound orchestra’ is joined by his personal choice of singers. These include Danish baritone star Bo Skovhus as a dashing Conte di Almaviva, German soprano Christine Schäfer as the Contessa,  the pure-voiced soprano Mari Eriksmoen as a perfect Susanna and Andrè Schuen as the valet Figaro, with Elisabeth Kulman (as the irreverent Cherubino), Ildikó Raimondi (Marcellina), Peter Kálmán (Bartolo / Antonio),  Mauro Peter (Basilio / Don Curzio) and Christina Gansch (Barbarina). Extras include a documentary: Nikolaus Harnoncourt – Between Obsession and Perfection (Le nozze di Figaro). Watch the video 


VIY      EUREKA EKA70415

VIY‘By the shades of night, may he go blind, turn his hair white. Bewitch him. Cover him with snow.’ Based on a short story by Nikolai Gogol, Viy is a haunting 1967 fantasy horror film directed by Konstantin Yershov and Georgi Kropachyov, with a screenplay by Yershov, Kropachyov and Aleksandr Ptushko. Set in 19th century Russia, it tells the story of an unruly seminary student ‘philosopher’ forced to spend three long, dark nights with the corpse of a beautiful young witch. But when she rises from the dead to seduce him, it will summon a nightmare of fear, desire, and the ultimate demonic mayhem. Bursting with startling imagery and magiical special effects courtesy of the directors and artistic director Aleksandr Ptushko, whose spectacular stop-motion effects and innovative colour cinematography has seen him referred to as the Soviet equivalent of Ray Harryhausen. The evocative music is by Karen Khachaturyan, nephew of Aram Khachaturyan. There are striking performances by Leonid Kuravlyov as the novice monk Khoma and circus performer Natalya Varley as Pannochka. The hulking demon Viy is played by Nikolai Stepanov. This was the first Soviet-era horror film to be officially released in the USSR and it has influenced generations of directors for more than half a century. Steven Schneider included it among his ‘1001 Movies You Must See Before You Die’. Eureka Entertainment has now released this ground-breaking gothic folktale in a Limited two-disc Blu-ray Edition as a part of The Masters of Cinema Series, with the 1080p HD restoration made using original film elements. Watch the trailer.

Extras include a new audio commentary with film historian and eastern European cinema expert Michael Brooke; Optional English mono audio; Optional English subtitles; A video essay on Russian novelist Nikolai Gogol; Archival documentary about Nikolai Gogol; Newly commissioned sleeve artwork by Peter Savieri; The original 1967 Trailer; Plus a Collector’s Booklet featuring an essay on Aleksandr Ptushko by Tim Lucas as well as an essay by Serbian writer and film critic Dejan Ognjanovic. Three tantalisingly brief Russian silent film fragments are included: The Portrait (1915), The Queen of Spades (1916), a spooky tale of gambling and madness, and Satan Exultant (1917), where a disturbing visitor calls on a dark, stormy night. A bonus disc includes rebellious Djordje Kadijevic’s 1990 film A Holy Place (Sveto mesto) for the first time on home video in the UK – plus a candid interview with director Kadijevic. This brilliant adaptation of Gogol’s story features the striking Branka Pujic and is a superb example of Serbian Gothic cinema, described by critic Dejan Ognjanovic as ‘an unparalleled excess of perversity and terror.’



TAKE BACKGillian White plays the lead in this all-action feature as a seemingly unassuming woman who must take on an evil gang of human traffickers when they kidnap her teenage step-daughter. Zara and Brian (real-life couple Gillian White and Michael Jai White) are successful and living the perfect life, but when Zara heroically foils a robbery, she soon becomes headline news and the talk of her small town. This unwanted notoriety sees Zara’s mysterious past catch up with her, putting her family’s life in serious danger. When their daughter is kidnapped by a sadistic gang, led by the frankly unhinged ‘Patrick’ (a remarkable performance by veteran Mickey Rourke), the pair face a race against time to save her life. With dogged Detective Chalmers (James Russo) also on Patrick’s trail, Zara and Patrick’s paths collide in an explosive finale. Pacily directed by Christian Sesma, with beautifully photographed desert locations in California, Take Back is an adrenaline-fuelled, martial arts action thriller that offers up a different kind of hero for different times. Gillian White is outstanding as the formidable Zara, finally facing up to her past and getting revenge on the savages who almost ruined her life.

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Cavalli - Ercole AmanteFrancesco Cavalli is not as well known as Monteverdi, though he was crucial in establishing opera as an art form and was the most famous and influential Italian opera composer of the mid-17th century. Staged productions of his operas used to be rarities but in recent years La Calisto, L’Egisto and Ercole Amante have been staged more often in recent years. Cardinal Mazarin, chief minister to the king, commissioned Ercole amante (‘Hercules in Love’) to celebrate the June 1660 wedding of Louis XIV and Maria Theresa of Spain, though preparations for the splendid staging caused a delay of almost two years before the first performance. This took place at a theatre built specially and at great expense to present the regal extravaganza, which combines larger-than-life characters with mythology and genuine human emotions with natural and cosmic phenomena. This Blu-ray release features a lavish production of this sumptuous Baroque spectacle, conceived by directors Valerie Lesort and Christian Hecq for the Opéra Comique in Paris and recorded in 2019. Cavalli’s extravagant masterpiece is brought magically to life with numerous scene changes and people and fantastical creatures who metamorphose. The costumes designed by Vanessa Sannino combine with Christian Pinaud’s imaginative lighting to create a fabulous fairytale atmosphere. Raphaël Pichon conducts the Pygmalion Chorus and Orchestra with scintillating flair and the outstanding soloists include Nahuel di Pierro as the forceful Ercole, Italian mezzo-soprano Anna Bonitatibus as the noble Giunone, Giuseppina Bridelli as an impressive Deianira, Francesca Aspromonte as a touching Iole and Dominique Visse as the amusing Lychas, with magnificent bass Luca Tittoto as Neptune and the ghost of Eutyrus. Irresistible entertainment on a grand scale. Watch the trailer



People on SundayIn this vivid snapshot of Weimar life, a group of young Berliners enjoy a typical lazy Sunday, including a trip to the city’s suburban lakes. Flirtations, rivalries and petty jealousies ensue as they all try to wring the last from their weekend even while Monday and the weekly routine loom. Taxi driver Erwin leaves his girlfriend Annie at home in bed to meet up at the Nikolassee beach with Wolfgang (wine salesman and occasional gigolo), who brings along his new girlfriend, film extra Christl, and her best friend Brigitte, manager of a record shop. Wolf goes off with the delightful Brigitte and seduces her, while Erwin and Christl relax with a record player on the beach. It turns out that the bond between the two men is the one that counts, and after promising the girls they would meet again next Sunday they make plans instead to watch football. The minimal plot is incidental to the natural charms of the all amateur cast and glimpses of an almost idyllic Berlin, made extra poignant by the knowledge that Hitler would come to power just three years later. Influenced by Eisenstein, and a precursor to Italian neo-realist cinema, People on Sunday (Menschen am Sonntag) launched the careers of a group of influential young filmmakers who would achieve international success, including future Academy Award-winners Billy Wilder, Eugen Schüfftan (The Hustler) and Fred Zinnemann, the future noir masters Robert Siodmak (The Killers) and Edgar G Ulmer (Detour), as well as prolific fantasy screenwriter and novelist Curt Siodmak. BFI has now released People on Sunday on Blu-ray for the first time in the UK, presented with two vibrant scores by Australian composer Elena Kats-Chernin and the experimental Icelandic group múm, a documentary, three short films and a new audio commentary by Adrian Martin. The original negative of the film is lost so this restored version was reconstructed by The Eye Institute in the Netherlands and the 2K scan was digitally restored by Deutsche Kinemathek. Its release coincided with BFI Southbank’s major season to mark the centenary of the Weimar Republic, celebrating one of the most innovative and ground-breaking chapters in the history of cinema. Special features with this High Definition release also include Weekend am Wannsee (Gerald Koll’s documentary about People on Sunday, featuring interviews with star Brigitte Borchert – still a delight in her Eighties – and writer Curt Siodmak), A Trip Through Berlin (a six minute ride through the streets of Berlin in 1910), Beside the Seaside (Marion Grierson’s beguiling picture of the British seaside, with a commentary written by W H Auden), This Year (documentary by John Krish following the adventures of Leicester factory workers on their staff outing to London).



The Fiery AngelSergei Prokofiev was born in the Ukraine in 1891, and soon became an accomplished pianist as well as something of an enfant terrible, mocking authority figures and anyone else who held traditionalist views. He was a traditional composer at heart though and his wide-ranging output included operas, symphonies, concertos, string quartets, film scores (most notably for Eisenstein’s Alexander Nevsky and Ivan the Terrible) and superb ballet music, the best-known being Romeo and Juliet, with its high drama and tenderness revealing Prokofiev’s complete mastery of the orchestra. He created seven completed operas, including The Gambler, The Fiery Angel and The Love for Three Oranges (the only operatic success during his lifetime). The Fiery Angel was first performed in Paris in 1954, a year after the composer’s death and almost thirty years after the work’s completion. Based on a novel of the same name by Valery Bryusov, inspired by the author’s own experiences with Nina Petrovskaya, who was the mistress of Russian symbolist writer Andrey Bely. He nearly came to fisticuffs with Bryusov over his relationship with her and Nina, Andrey and Bryusov became the inspiration for this weird operatic tragedy by Prokofiev, who wrote the libretto for it himself. Set in 16th-century Germany, it tells the story of Renata, a young woman who guided since childhood by her guardian angel Madiel to lead a life of chastity. She then falls in love with the same angel, who turns into a raging pillar of fire, and is beset by demonic visions until the Inquisition condemns her to the stake. Although he bever saw the opera performed, the music’s brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony.

The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. This Blu-ray release features an exciting Teatro dell’Opera di Roma production, conducted by Alejo Perez, that was acclaimed as a presentation of Prokofiev’s masterpiece which sparkles in all its grotesque glory. Director Emma Dante describes the work as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes. The fine cast includes English baritone Leigh Melrose as the barbarous Ruprecht, Polish soprano Ewa Vesin as Renata, mezzo Anna Victorova as The Landlady, and Andrii Ganchuk as Johann Faust/The Servant. Watch the  trailer



The Masque of the Red DeathInfluential director, producer and actor Roger Corman (now aged 94) was a pioneer in the world of independent cinema, establishing a popular and critical reputation in the 1960s with his series of low-budget films adapted from stories by American author Edgar Allan Poe. Corman directed eight of these adaptations in all for American International Pictures, including The Masque of the Red Death, which he made in England in 1964. Like many of Corman’s other classics, this one starred horror stalwart Vincent Price. Mainly based on an 1842 fantasy tale of the same name by Poe, it tells the story of a cruel, degenerate prince who sells his soul to the devil and terrorises a plague-ridden peasantry while merrymaking in a lonely castle with his jaded courtiers. Price gives one of his finest performances as Prince Prospero, with great support from a cast that includes Jane Asher as a flame-haired young innocent, Hammer’s ‘scream queen’ Hazel Court as a voluptuous disciple of Satan, and Patrick Magee as a particularly decadent courtier (‘Did I startle you?’). Studiocanal is now releasing the extended cut of this iconic film, stunningly restored in 4K by Martin Scorsese’s Film Foundation and The Academy, available on Blu-ray, DVD and Digital. The DVD/Blu-Ray edition includes both the extended cut and the theatrical cut, a 20-page booklet with a new essay from The Academy’s film preservationist Tessa Idlewine and four art cards from the restoration.

The excellent special features include an interview with Keith M. Johnston, lecturer in Film and Television Studies at the University of East Anglia, which explores the fascinating topics of colour and censorship; A new commentary with film critic and author Kim Newman and filmmaker Sean Hogan; and a fascinating conversation between Roger Corman and Kim Newman which was filmed in 2013 as part of the BFI’s Gothic Season. Unseen by audiences until it premiered at the BFI London Film Festival in 2019 to great acclaim, this meticulous restoration brings back to life the striking and bold cinematography from Nicolas Roeg, with its amazing use of colours. The new version of the film reinstates a number of censored scenes which were cut from the film’s original release. ‘One of the best film adaptations of Poe’s particular brand of lush horror.’ – Kim Newman.



Inner Sanctum Mysteries‘The mind – it destroys, it distracts, it creates monsters, commits murder.’ Inner Sanctum Mystery was a popular American radio programme from the 1940s based on a series of mystery novels of published by Simon & Schuster and over 500 episodes were broadcast. In 1943, Universal purchased the screen rights from Simon and Schuster to make The Inner Sanctum Mysteries hour-long feature film series starring Lon Chaney, Jr, who was hoping for more varied roles after Universal had cast him as a monster in many of their horror films. In a nod to the radio series, a ‘stream of consciousness’ voiceover was often incorporated into the scripts and the films were prefaced with the sequence a bobbing head of actor David Hoffman staring out of a crystal ball giving warnings to the audience about how each of them is capable of murder. British radio listeners in the 1960s will remember the popular Round The Horne comedy with its spoof sketches and echoing introductions to the ‘Inner Sanctum-um-um-um-um-um…’ This boxed set from Eureka contains all six of Universal’s Inner Sanctum series, available on Blu-ray in the UK for the first time. In each episode, Chaney plays a different character, usually a successful and respected member of the community. They also share a taste for clourful neckties and seem irresistible to every woman attractive around. Unfortunately, they have a knack for becoming involved in murder, often as the chief suspect.

The best of the series include Dead Man’s Eyes (directed Reginald Le Borg) in which an artist called Dave on the point of greatness is accidentally blinded. The operation to restore his sight depends on another person willing to donate their eyes, but who can be trusted? His exotic model Tanya (Acquanetta) is in love with Dave and jealous of his engagement to marry a rich girl (Jean Parker), which angers Nick, her jealous former suitor. Meanwhile, Alan (Paul Kelly), a psychiatrist and Dave’s closest friend, has a secret passion for Tanya. In the stylish Pillow of Death (directed by Wallace Fox), a lawyer in love with his secretary is suspected of suffocating his wife, among others, as the body count rapidly rises. With a sparky script and set in a dark, haunted house, this atmospheric mystery also stars the lovely Brenda Joyce (soon to become the second Jane to Johnny Weissmuller’s Tarzan), formidable English actress Rosalind Ivan, J. Edward Bromberg as a dubious psychic, and twinkling George Cleveland as the family sceptic. The other episodes are Calling Dr. Death, Weird Woman, The Frozen Ghost (in which a stage mentalist and a discredited plastic surgeon are involved in mysterious goings-on in an eerie wax museum), and Strange Confession.

The Special 3-disc Blu-ray Edition contains High Definition (1080p) presentations of all six films comes with estras that include audio commentaries; Kim Newman on The Inner Sanctum Mysteries (a new interview with journalist, film critic and fiction writer Kim Newman); This is the Inner Sanctum: Making a Universal Mystery Series; The Creaking Door: Entering The Inner Sanctum (A history of the radio series with author/radio historian Martin Grams Jr.) Mind Over Matter (Archival interview with actor Martin Kosleck; Inner Sanctum Mysteries: Radio Episodes (A selection of episodes from the original radio series; plus a collector’s booklet featuring new writing on the series by Craig Ian Mann. A treat for every classic mystery and horror fan. Watch the trailer



Helene GrimaudFrench-born virtuoso pianist, author and wildlife conservationist Hélène Grimaud made her first recording aged just 15. She studied animal behaviour as well as music at the Paris Conservatoire National Superieur de Musique and later co-founded the Wolf Conservation Center in South Salem, New York state, where she now lives. As an internationally acclaimed musician, she has played everything from Gershwin to Bach but has concentrated on romantic music, particularly Brahms and Rachmaninov – The New York Times hailed her performance of the Rachmaninov Second Concerto as ‘bold, assured and properly rhapsodic’. Hélène Grimaud could be called a Renaissance woman for our times, a woman with multiple talents that extend far beyond the instrument she plays with such poetic expression and peerless technical control. As well as a passionate and committed musical artist whose pianistic accomplishments play a central role in her life, she has established herself as a committed wildlife conservationist, a compassionate human rights activist and as a writer. Together with her creative and life partner, photographer Mat Hennek, the pianist created the multimedia concert project, Woodlands And Beyond, captured on this Blu-ray recording at the Grand Hall of Hamburg’s Elbphilharmonie.

Hélène Grimaud’s virtuoso piano performance is accompanied by Hennek’s highly praised photo series Woodlands, which depicts genuine portraits of trees, the results of numerous hikes through forests in Europe and the USA. With works by romantic and impressionist composers, such as Luciano Berio, Nitin Sawhney, Toru Takemitsu, Franz Liszt and Claude Debussy, Grimaud leads her audience into the enchanting world of those various Woodlands and even beyond. ‘Grimaud is completely at ease, showing flawless clarity in her interpretations.’ – Die Welt. Watch the video




Giuseppe Verdi’s four-act opera Il Trovatore (The Troubadour), with an Italian libretto by Salvatore Cammarano based on a play by Antonio García Gutiérrez, received its first performance at the Teatro Apollo in Rome in 1853. In 1857, Verdi revised the opera for Paris as Le Trouvère and added a ballet. Despite its complicated and sometimes incomprehensible plot, Il Trovatore has since become one of the most popular works in the standard operatic repertoire. People are attracted to Il Trovatore because of its rousing melodies, its brutal, powerful plot, and its simple structure: elements that make it one of the best examples of Verdi’s theatre pieces. Set in the mountains of Medieval Northern Spain, Il Trovatore is a warrior named Manrico. His enemy is led by the Count di Luna, who loves Leonora, one of the queen’s ladies in waiting. According to Ferrando, the captain of the guard, an old woman had been accused twenty years earlier of casting an evil eye over the Count’s brother. She was burnt at the stake and the subsequent disappearance of the boy, followed by the discovery of a child’s skeleton in the ashes, led to the conclusion that the woman’s daughter had thrown him into the flames to avenge her mother. Meanwhile, back in the present, Leonora does not love the Count, but the troubador Manrico, raised by the gypsy Azucena. Manrico is not only the Count’s rival, but as a follower of the rebellious Count d’Urgell, he is also the Count’s sworn enemy. In the Second Act, Azucena tells Manrico her version of the terrible event twenty years ago and the plot becomes even more complicated.

The opera’s libretto may call for a considerable suspension of disbelief but its gloriously melodic score features such riches as the ‘Anvil’ Chorus, the ‘Miserere’ scene, two great tenor arias and a beautiful baritone aria. This Blu-ray 4K Ultra-HD television recording features a vibrant 2019 production from the Arena di Verona, a 2,000-year-old amphiteatre – one of the largest and best preserved Roman constructions of its kind, with over 22,000 seats. The master of opera Franco Zeffirelli, who died shortly before its premiere, created its legendary scenery with groups of giant sized armoured knights, a fortress turning into a luminous cathedral, an enormous choir, horses and breathtaking fights. Pier Giorgio Morandi conducts a prestigious cast that includes powerful Azerbaijani tenor Yusif Eyvazov as Manrico, the wonderful Anna Netrebko making her debut as Leonora, Italian Luca Salsi as Il Conte di Luna, with bass Riccardo Fassi as Ferrando and mezzo-soprano MET star Dolora Zajick as the formidable Azucena. ‘Unforgettable’ – Verona Settegiorni.


Buster Keaton

Between 1920 and 1929, Buster Keaton created a peerless run of feature films that established him as ‘arguably the greatest actor-director in the history of the movies’. Following BUSTER KEATON, VOL 2, in its Masters of Cinema series, Eureka has now released a further collection of brilliant films from the silent comedy genius. Available heree for the first time on Blu-ray in the UK, with excellent new restorations, this Limited Edition three disc box set (3000 copies) features Our Hospitality, Go West and College. Directed by Keaton and John G. Blystone in 1923, Our Hospitality is one of his most significant films – as well as one of his funniest. Based on the notorious feud between the Hatfield and McCoy clans (here renamed the Canfields and McKays), Keaton is luckless William McKay, who must journey down South to view his lacklustre inheritance, only to be seduced along the way by one of the Canfields, Virginia, who lures him to her family’s house. William knows that thanks to Southern hospitality the Canfield men won’t kill him as long as he’s in their house, so he endeavours to stay there, against all obstacles.

With its attention to 19th-century period detail and emphasis on integrating the gags into the storyline, Our Hospitality was not just a breakthrough in Keaton’s career, but it was also an advancement in the medium, with Variety proclaiming, ‘It marks a step forward in the production of picture comedies.’ The film is also a family affair as it stars not only Buster but also his father Joe as the high-kicking rain engineer, one-year-old Buster Junior as young Willie, and Keaton’s wife Natalie Talmadge as Virginia. In Go West, directed by Keaton in 1925, he is at his most stone-faced as the memorably named ‘Friendless’, who abandons city life to ride the rails to an Arizona ranch, where his ineptitude only makes his nickname even more accurate. But when his one beloved companion, a cow named Brown Eyes, seems to be headed to the slaughterhouse, Friendless intervenes.

Go West is an irresistible blend of deadpan darkness and spectacular comic set-pieces, including a cattle stampede through the streets of Los Angeles. ‘Buster Keaton’s ingenuity, acrobatics, and romanticism flourish equally in this antic twist on melodrama’. – Time Out on Our Hospitality. In College, Keaton follows up The General with a higher education comedy that seems to take a cue from Harold Lloyd’s The Freshman. Keaton is bookworm Ronald, whose high school girl Mary (Anne Cornwall) ditches him for someone with the athletic prowess that Ronald lacks. Determined to win her back, Ronald enters college with an eye on sports, but two left feet mean that he struggles, even with help from wonderful Snitz Edwards as the sympathetic College Dean.

The enormous range of extras includes new audio commentaries for Our Hospitality (by silent film historian Rob Farr) and Go West (by Joel Goss and Bruce Lawton); A shorter work-print version of Our Hospitality with optional commentary by film historian Polly Rose; Making Comedy Beautiful – a video essay by Patricia Eliot Tobias; Video essays by John Bengtson on filming locations for Go West and College; A Window on Keaton – a video essay by David Cairns; The Railrodder (1965) – produced by the National Film Board of Canada and starring Buster Keaton in one of his final film roles; Optional audio commentary for The Railrodder, with director Gerald Potterton and cameraman David De Volpi; Buster Keaton Rides Again – a revealing documentary feature produced concurrently with the film; Audio recording of a post-screening Q&A with Gerald Potterton; Stills Galleries; Plus a perfect bound collector’s book featuring new writing by Philip Kemp; essays on all three films by Imogen Sara Smith; a piece by John Bengtson on the filming locations of Our Hospitality; Gerald Potterton’s original treatment for The Railrodder; and an appreciation of Keaton by writer and silent cinema aficionado Chris Seguin. Watch clips 



A Trip to the MoonBorn in Paris in 1861, Georges Méliès was a stage illusionist who became a wonderfully creative pioneer film director, leading the way on many technical and narrative developments in the earliest days of cinema. As well as being the the first person to build a film studio, he was a prolific innovator of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was one of the first filmmakers to use storyboards on films such as A Trip to the Moon (‘Le Voyage dans la Lune’, 1902) and The Impossible Voyage (1904), both involving strange, surreal journeys. As an illustrator, magician, filmmaker and inventor he paved the way for animation and multi-media filmmaking. A Trip to the Moon, his boldest and best known film, was loosely based on the writings of Jules Verne and follows a group of travellers who are fired off to the moon from earth on an exploration mission, only to end up in peril and captured by the strange local inhabitants, the Selenites.

Featuring a who’s who of theatrical cast from the era, with Méliès himself taking a lead role, this is one of cinema’s first forays into sci-fi and spawned one of the most iconic images of cinema – the man in the moon with a rocket in his eye. The film is included in this Deluxe limited edition in both black and white and its original colours, together with hardback casebound book of George Méliès’ autobiography, previously unpublished in English. Altogether this makes a perfect introduction to the work of one of the most adventurous, inspiring and talented early filmmakers. Extras with the High Definition Blu-ray presentation (in riginal uncompressed Stereo 2.0 and 5.1 surround audio), include ‘The Innovations of Georges Méliès’ – a video essay by Jon Spira exploring A Trip to the Moon and Méliès’ career; ‘An Extraordinary Voyage’ – Serge Bromberg and Eric Lange’s 2011 documentary on the film, its rediscovery and preservation for future generations, featuring interviews with Costa Gavras, Michel Gondry, Michel Hazanavicius, and Jean-Pierre Jeunet; ‘Le Grand Méliès’ (1952) – a loving film by Georges Franju about the life and work of Méliès, featuring poignant appearances by his son and 90-year-old widow, Jeanne. ‘I owe him everything.’ – D W Griffith. Watch the trailer 



Le Cercle RougeControversial French directorJean-Pierre Melville is often regarded as the ‘godfather of the Nouvelle Vague’, and Le Cercle Rouge (‘The Red Circle’) is a great example of the daring and innovative filmmaking that would see the controversial director influence many artists and filmmakers. Though remembered primarily for his intense, spare 1960s gangster films, Melville had a varied range that included wartime dramas, psychosexual character studies, and a collaboration with Jean Cocteau. He worked mostly independently, even building his own studio, and it was this fierce do-it-yourself attitude that resulted in uncompromising films such as Les Enfants Terribles and Bob le Flambeur. French New Wave filmmakers adopted Melville as a sort of godfather (Godard even gave him a cameo in Breathless) but Melville went his own way, making highly idiosyncratic crime films that were beholden to no trend (he was one of the first French directors to use real locations). Supercool Alain Delon, Italian Gian Maria Volontè and suave Yves Montand star the aristocratic thief, ruthless fugitive and alcoholic ex-cop caught together in the thrall of destiny as they plan to carry out the ultimate robbery. The mismatched trio are locked in an elaborate and dangerous game of cat-and-mouse with an inscrutable police inspector (the excellent Andre Bourvil, in his final film). He is under pressure to get results and is determined to foil the thieves, despite being drawn irresistibly to his prey.

As the day of the heist dawns, the story unfolds with all four players determined to cheat fate, and the film climaxes in a near wordless heist that rivals Rififi. This skilfully choreographed tale, beautifully photographed by Henri Decae and stylishly directed by Melville, was a big hit with both critics and audiences when released in 1970. Newly resored and now looking better than ever, Le Cercle Rouge is released here in on 4K UHD, Blu-ray, DVD & Digital with a wide range of extras that includes a new feature (‘The Perfect Circle’) as well as interviews with assistant director Bernard Stora and writer José Giovanni. ‘Melville blends the Chandleresque world of his own devising with gritty French reality.’ – Guardian.